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Tapping the planet’s heart beat: Dorrance Dance and The Blues Project

Von Jaime Robles, 18 März 2017
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“this brilliant company affirmed ... in the rhythmic exchanges of their bodies that together is best”
Rezensierte Veranstaltung: Yerba Buena Center for the Arts Theater, San Francisco, am 16 März 2017
Darsteller
Dorrance Dance
The Blues Project
Derick Grant, Choreographie
Weitere Tanz Kritiken
Alonzo King's LINES Ballet goes wild
Jaime Robles, 12th April
A projection of green sky above shadowy mountains hovered behind their duet, and the curved bodies of the other dancers moved, barely visible, in the darkness of downstage.
****1
Jessica Lang Dance, pleasing but disappointing
Jaime Robles, 28th February
Lang’s choreography lacks the hectic drollness and biting originality of Tharp’s, and while accessible it is also sweeter and blander.
***11
An alluring Common Ground
Jaime Robles, 6th October
Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness. 
*****
Abraham.In.Motion
Carla Escoda, 16th May
A moving, meditative evening with the dancers of Abraham.In.Motion in Kyle Abraham's latest and perhaps most personal work at the Yerba Buena Center for the Arts 
****1
Lines: Figures of Speech
Carla Escoda, 4th May
The world premiere of Figures of Speech at Alonzo King LINES Ballet was notable for the striking, individual beauty of the dancers, and for its towering score, that incorporated fragments of recorded poetry in languages currently threatened with extinction.  
***11
Lamplighters' Patience stills demands patience
Ilana Walder-Biesanz, 4th February
The Lamplighters stage Gilbert and Sullivan's satirical operetta with their usual high production values and talented cast. 
***11
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.