Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

Mark Morris' Whelm, an intriguing but never irritating mystery

Von Rachel Rizzuto, 24 April 2015
Laden, bitte warten...
Veranstaltung anzeigen
“Morris remains my favorite choreographer working today”
Rezensierte Veranstaltung: BAM: Howard Gilman Opera House, New York City, am 22 April 2015
Programm
Pacific
Words (Mark Morris)
New Work
Grand Duo
Darsteller
Mark Morris Dance Group
Weitere Tanz Kritiken
The dance is not going away party: Mark Morris’ new Northwest
Carla Escoda, 22nd July
Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.
***11
Dancers come and go, The Hard Nut fresh as ever
Carla Escoda, 12th December
It's 33 years since its premiere in Brussels, and in its eighth season in New York at the Brooklyn Academy of Music, this irreverent American classic is still firing on all cylinders.
*****
Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met
Susan Stempleski, 16th May
The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.
*****
Kansas City Ballet: Barminess in Bliss Point
Hilary Stroh, 12th May
Alexander Ekman's Cacti is the zany highlight of the evening! 
*****
Visions of Classical (Re)Vision in San Francisco
Jaime Robles, 11th February
“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”
****1
At the Met, a revival of Orfeo ed Euridice
Edward Sava-Segal, 4th November
Jamie Barton's rich, mellifluous mezzo is ideal for singing Orfeo.
****1
Weitere Kritiken...
Kritiken von
Lou HarrisonMark MorrisMark Morris Dance GroupNew WorkWords
Verwandte Artikel
Loading image...
Auf der Suche nach einer neuen Balance in Wien: Alessandra Ferri
Loading image...
Warum wir klassisches Ballett noch immer brauchen: Darcey Bussell, Cynthia Harvey und Aaron S. Watkin im Gespräch
Loading image...
Der Alltag einer Ballerina: ein Interview mit Deborah Weiss
Vorhang auf für die Spielzeit 2018/19 an der Bayerischen Staatsoper
Rachel Rizzuto
Rachel Rizzuto
Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.