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The Mother: Arthur Pita’s disturbing take on Hans Christian Andersen’s grim fairy-tale at the Southbank

Von Sarah Kirkup, 21 Juni 2019
Laden, bitte warten...
Veranstaltung anzeigen
“What sets The Mother apart is its unremitting blackness”
Rezensierte Veranstaltung: Queen Elizabeth Hall, London, am 20 Juni 2019
Programm
The Mother (Arthur Pita)
Darsteller
Natalia Osipova, Tanz
Jonathan Goddard, Tanz
Weitere Tanz Kritiken
Next Generation Festival: Rambert School impresses throughout
Graham Watts, 1st July
A show where the whole School was the star. 
****1
English National Ballet School embraces the unconventional
Deborah Weiss, 19th June
English National Ballet School Professional Trainees show great versatility in their final performance of the year, with a highly entertaining mixed programme.
****1
Iolanta / Casse-Noisette ressuscités avec génie par Tcherniakov
Laurine Mortha, 13th May
L’opéra Iolanta et le ballet Casse-Noisette sont réunis dans une co-création d’envergure qui rassemble les talents du scénographe Dmitri Tcherniakov et des chorégraphes Sidi Larbi Cherkaoui, Edouard Lock et Arthur Pita.
*****
ABT's Whiteside and Trenary star in Pita's The Tenant at The Joyce
Andrew Blackmore-Dobbyn, 10th November
The single best thing about The Tenant was Frank Moon’s score, played by Moon himself on the piano, violin, and singing.
***11
Ballet Black: a contrasting bill of Shakespearian envy and whimsy
Kirsty Morgan, 8th June
Ballet Black delights the Glasgow Tramway with a contrasting double-bill of Shakespearian envy and whimsy.
****1
The final program in SF Ballet's Unbound festival
Jaime Robles, 26th April
Most of the pieces were choreographed at a similarly demanding level, with speed, precision and immaculate timing as necessities.
****1
Weitere Kritiken...
Kritiken von
Arthur PitaFrank MoonJonathan GoddardNatalia Osipova
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Sarah Kirkup
Sarah Kirkup
Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.