Rosie Kay: Conspiracy Theory and the Society of the Spectacle

Von Tatiana Rathelot, 17 November 2018

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Queen Elizabeth Hall, London, am 8 November 2018

MK Ultra (Rosie Kay)

Rosie Kay Dance

Gary Card, Kostüme

Adam Curtis, Film maker

Rosie Kay returns to the stage with courageous Absolute Solo II

Graham Watts, 19th May

The emotional triple bill, including a new autobiographical solo, premiered in front of a spellbound audience at the Birmingham Rep.

****1

Shostakovich’s Orango keeps the Red Flag flying

Mark Pullinger, 24th August

Fervent flag-waving is usually reserved for the Last Night of the Proms, so what was going on in this Philharmonia concert? The Arena was awash with a sea of red flags, the chorus – and conductor Esa-Pekka Salonen – were decked out in T-shirts bearing portraits of Lenin or Stalin.

***11

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Sad shanties from Manchester Collective and Sean Shibe

Chris Garlick, 28th March

The Manchester Collective are one of the most successful groups of musicians who aim to bridge the gap between musicians and their audiences.

****1

Piano trios x 3 from Weilerstein, Jackiw and Barnatan at QEH

Roy Westbrook, 30th November

The classical equivalent to a pop “supergroup” assembles at the Southbank Centre for piano trios by Rachmaninov, Ravel and Beethoven.

****1

Benjamin Grosvenor plays Pictures at an Exhibition at the Southbank

Roy Westbrook, 24th October

Benjamin Grosvenor tackles pianistic beasts by Chopin, Ravel and Mussorgsky in his Queen Elizabeth Hall recital.

****1

Weitere Kritiken...

Tatiana Rathelot

Tatiana studied ballet and modern dance in Rio de Janeiro, Brazil before moving to Italy to pursue graduate studies in Social and Political Sciences. She has trained and performed in several European countries and is currently based in London, where she reconciles academic work with freelance dance jobs

Rosie Kay’s Conspiracy Theory: Nietzsche and the Society of the Spectacle