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Veranstaltungsort: Aberdeen Music Hall

Kurzprofil
AdresseAberdeen
Scotland
AB25 1GL
Vereinigtes Königreich
Google maps57° 8' 44.074" N 2° 6' 8.136" W
November 2025
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27282930310102
03040506070809
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01020304050607
Abendvorstellung
Matinee
Veranstaltungstippsmehr...

AberdeenYeol Eum Son plays Mozart

Scottish Chamber Orchestra
Mozart, Webern
Scottish Chamber Orchestra; Andrew Manze; Yeol Eum Son

AberdeenGershwin & Rachmaninov

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Antheil, Gershwin, Rachmaninow
Royal Scottish National Orchestra; Patrick Hahn; Frank Dupree; Jakob Krupp

AberdeenRachmaninov's Third Piano Concerto in Aberdeen

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Montgomery, Rachmaninow, Barber, Debussy
BBC Scottish Symphony Orchestra; Delyana Lazarova; Isata Kanneh-Mason

AberdeenRSNO Christmas Concert featuring The Snowman

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Blake
Royal Scottish National Orchestra; Stephen Doughty; Josie Long

AberdeenViennese New Year

Scottish Chamber Orchestra
Strauß Sohn, Lehár, Strauß Vater
Scottish Chamber Orchestra; Andrew Manze; Rachel Redmond

AberdeenMozart's last three Symphonies

Scottish Chamber Orchestra
Mozart
Scottish Chamber Orchestra; Maxim Emelyanychev

AberdeenLove & Fairy Tales: Rachmaninov & The Mermaid

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Tschaikowsky, Rachmaninow, Zemlinsky
Royal Scottish National Orchestra; Kevin John Edusei; Makoto Ozone; Gillian Moore

AberdeenTchaikovsky's Pathétique Symphony in Aberdeen

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Lutosławski, Mozart, Tschaikowsky
BBC Scottish Symphony Orchestra; Delyana Lazarova; Esther Yoo
Neue Kritikenmehr...

Bach interpreted through dance: Goldberg Variations

In a big challenge, the Scottish Ensemble players were included in the choreography in a cross-arts collaboration with Andersson Dance from Sweden in an innovative performance of the Goldberg Variations.
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Scottish Ensemble: Britain vs. Germany – you decide!

The Scottish Ensemble playfully challenged the audience to decide game-show style, which country’s string music won the night: Germany or Britain? Indeed, the concert was a game of two halves with Britain being represented by William Walton and Martin Suckling in the first and Germany by Leopold Hurt and Brahms in the second.
****1
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