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Veranstaltungsort: Gloucester Cathedral

Kurzprofil
AdresseGloucester
South-West
Vereinigtes Königreich
Google maps51° 52' 2.159" N 2° 14' 47.258" W
März 2026
MoDiMiDoFrSaSo
23242526272801
02030405060708
09101112131415
16171819202122
23242526272829
30310102030405
Abendvorstellung
Matinee
Veranstaltungstippsmehr...

GloucesterAn English Song Recital with Tenor James Gilchrist and Ashok Gupta

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Britten, Elwyn-Edwards, Clarke, Herbert, Vaughan Williams, Holst, Holst I., Dring, Dowland
James Gilchrist; Ashok Gupta
Neue Kritikenmehr...

A tribute to Holst at Gloucester Cathedral

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An eclectic evening of vividly communicative music-making in Gloucester Cathedral, superbly directed by Adrian Partington. 
****1
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Preaching to the converted: The Apostles at the Three Choirs

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Adrian Partington and the Philharmonia give an impersonal, soporific rendition of Elgar's The Apostles at Gloucester Cathedral. 
**111
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Opposites attract at the Three Choirs Festival

Effort and emotion collide at Gloucester Cathedral in music by Stravinsky, Berlioz and Walton
****1
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Three Choirs Festival goes out in a flawed blaze of glory

Adrian Partington directs a well-managed but ultimately disjointed performance of Mahler’s most idealistically challenging symphony.
***11
Mehr

Fire and beauty, tears and triumph: Berlioz’s Requiem at the Three Choirs Festival

Edward Gardner conducts a solemn, emotionally-charged performance of Berlioz’s radical masterpiece at Gloucester Cathedral
*****
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Gloucester remembers Ivor Gurney

Gloucestershire is rich in musical heritage; well-known composers connected with the county include Parry, Vaughan Williams and Howells, but one name that is less familiar these days is that of Howells’ friend Ivor Gurney.
*****
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Samuel Coleridge-Taylor's The Song of Hiawatha at the Three Choirs Festival, Gloucester

Over the centuries, the Three Choirs Festival has developed a commendable trait in presenting the very best in English choral music; in more recent years the Festival has been committed to resurrecting once popular works that have been considered worthy of reassessment and, following on from last year’s performance of George Dyson’s Canterbury Pilgrims, this year the lot fell to Samuel Coleridge-T
****1
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