Veranstaltungstippsmehr...
OsloOslo Circles 10 Years!

Fontana, Strozzi, Cavalli, Falconieri, Steffani, Fux, Händel, Corelli
Astrid Kirschner; Oslo Circles Baroque Ensembles; Berit Nordbakken; David Hansen; Yngve André Søberg
OsloThe Monastery

Mozart: The Monastery
Jo Strømgren; Jo Strømgren Kompani; Catrine Gudmestad; Stephen Rolfe
OsloGravity is gone and we are still falling

Deathprod: Gravity is gone and we are still falling
Hooman Sharifi; Impure Company; Espen Hoydalsvik
OsloCODA International Dance Festival: tanzmainz – Trailer Park

Friedlich: Trailer Park
Moritz Ostruschnjak; tanzmainz; Daniela Bendini; Tanja Rühl
OsloJingle Horse! – a Christmas special

Jingle Horse! – a Christmas special
Alan Lucien Øyen; Norwegian National Ballet; Martin Flack; Torkel Skjærven
Neue Kritikenmehr...
NNB: A Tale About Swan Lake, original fairytale magic
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A Tale about Swan Lake ticks all the boxes as an introduction to ballet for young audiences while offering a version that adult lovers of the work can thoroughly enjoy.
Jo Strømgren's The Basement: dark and eccentric humour at its best
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Strømgren’s choreography is remarkably eloquent with emotionally charged movement in a fast-paced performance with a serious message.
Music for extended wind quintet
The Oslo Chamber Academy served up a wonderful selection of German, French and Czech chamber music for winds, not to mention an array of unexpected sonorities.
Simon Steen-Andersen's bizarre opera Buenos Aires
Simon Steen-Andersen’s genre-bending opera Buenos Aires tackles fascinating questions about human communication and the very nature of opera and music. Sadly, these questions sometimes got lost in unecessarily strange stage antics.
Russian nonsense rhymes from Moscow's Studio for New Music in Oslo
The Studio for New Music is a Russian contemporary music ensemble, and is the ensemble-in-residence of the Moscow Conservatory. At this concert at the Oslo Opera House, their first in Norway, they presented a programme of Russian music, ranging from Stravinsky’s 1914 song cycle Pribaoutki to Vladimir Tarnopolski’s 2001 piece Chevengur for soprano and chamber ensemble.