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Adam de la Halle’s Le Jeu de Robin et Marion, one of the earliest extant music dramas, is given riotous performance by Ensemble Micrologus.

Amidst all the hustle and bustle, the humming and buzzing of post-work Friday-night drinkers lining the sun-kissed streets of Spitalfields, who’d have thought that in the church at the very heart of that lively London area would be a man, standing alone, singing music written 800 years ago? Music from another human-inhabited world, so alien to our modern-day, Commercial Street lives, and yet still