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Postcard from Seoul, Korea

By , 18 August 2017
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“I have never felt more depressed for English music”: Britten's influences

By , 11 August 2017
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Romantic expressions: Schoenberg before serialism

By , 03 August 2017
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2017-18: a rich and balanced season for the Grand Théâtre de Genève

By , 01 August 2017
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The Authenticity Impulse: Early Music and its Revival

By , 24 July 2017
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Eclectic in August: looking forward to the Opera In The City festival

By , 18 July 2017
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Organ Donors: The Evolution of Organ Music from Baroque to the 20th Century

By , 14 July 2017
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The At Home Guide: Bruckner and the shadow of Wagner

By , 04 July 2017
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Not just Finlandia: Nordic music beyond the hits

By , 22 June 2017
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Leaping Into The Future: How Ballet Music Took Centre Stage

By , 19 June 2017
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Narratives Without Words: The At Home Guide to Tone Poems

By , 14 June 2017
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Postcard from Valldemossa, Majorca

By , 07 June 2017
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Orchestrating the Dream Worlds of Studio Ghibli: A Short Flight Through the Music of Joe Hisaishi

By , 23 May 2017
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Franz Waxman: The composer who spanned film and classical music

By , 23 May 2017
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Luxury voices, luxury surroundings: Alagna and Kurzak at Formentor Sunset Classics

By , 22 May 2017
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The film music of John Williams: the makings of an aesthetic

By , 17 May 2017
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A magnet for new concert audiences: the RSNO's Film music season

By , 10 May 2017
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Film concerts go mainstream

By , 02 May 2017
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BA…CHopin and his Europe international festival 2017

By , 02 May 2017
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Art as propaganda: the collaboration between Eisenstein and Prokofiev

By , 01 May 2017
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