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Category:Feature
Showing 50 of 413 articles
By , 05 April 2021
05 Apr 2021
Stravinsky's music caresses Terpsichore
By Cintia Borges Carreras
By , 31 March 2021
31 Mar 2021
The ABC of a young violinist: G is for Groupie
By Pierre Liscia-Beaurenaut
By , 18 March 2021
18 Mar 2021
Audio streaming 3: follow the money
By David Karlin
By , 11 March 2021
11 Mar 2021
Audio streaming 2: algorithms, playlists, payment models
By David Karlin
By , 08 March 2021
08 Mar 2021
Armchair traveller: top ten virtual tours you can do right now
By Bachtrack
By , 04 March 2021
04 Mar 2021
Audio streaming 1: the missing millions
By David Karlin
By , 17 February 2021
17 Feb 2021
Women composers and lovers, a timeless misalliance?
By Clara Leonardi
By , 03 February 2021
03 Feb 2021
Six of the best classical music streaming services in 2021
By David Karlin
By , 23 December 2020
23 Dec 2020
The making of a miracle: a Christmas video from Müpa Budapest
By Laurence Vittes
By , 17 December 2020
17 Dec 2020
The Clara Variations: Christmas with the ladies
By Clara Leonardi
By , 26 November 2020
26 Nov 2020
Chloe Chua: a video journey ahead of her SSO concert
By Laura Volpi
By , 25 November 2020
25 Nov 2020
The ABC of a young violinist: D is for Deutschland
By Pierre Liscia-Beaurenaut
By , 13 November 2020
13 Nov 2020
From Fantasia to Fidelio: classical music and animation
By Laura Volpi
By , 28 October 2020
28 Oct 2020
The ABC of a young violinist: C is for Conservatoire (and Covid)
By Pierre Liscia-Beaurenaut
By , 30 September 2020
30 Sep 2020
Bavaria makes a cautious return to the concert hall
By David Renke
By , 30 September 2020
30 Sep 2020
The ABC of a young violinist: B is for Build it yourself
By Pierre Liscia-Beaurenaut
By , 21 September 2020
21 Sep 2020
US virtual summer music camps in the pandemic
By Linda Holt
By , 16 September 2020
16 Sep 2020
“Where the will is awakened…” How the Salzburg Festival defied Corona
By Isabella Steppan
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By , 26 August 2020
26 Aug 2020
The ABC of a young violinist: A is for Academy
By Pierre Liscia-Beaurenaut
By , 10 July 2020
10 Jul 2020
Coming out of lockdown in Japan
By Nahoko Gotoh
By , 10 July 2020
10 Jul 2020
Rhapsody in the Clouds: the Xi'an Symphony Orchestra
By David Karlin
By , 07 July 2020
07 Jul 2020
The importance of grass-roots cultural life: a view from the US
By Hilary Stroh
By , 29 June 2020
29 Jun 2020
A Snapshot of cultural life in Scotland
By David Smythe
By , 10 June 2020
10 Jun 2020
Opera in times of corona: a snapshot of cultural life in Germany
By Alexandra Richter
By , 24 April 2020
24 Apr 2020
Salome: the greatest Strauss tone poem?
By Erica Miner
By , 21 April 2020
21 Apr 2020
Top 8 classical music biopics
By Augustin Javel
By , 14 April 2020
14 Apr 2020
An odyssey of unusual orchestral layouts
By Manon Decroix
By , 03 April 2020
03 Apr 2020
Making musical fun with very young children
By Katia de Miguel
By , 02 April 2020
02 Apr 2020
The show must go online! A guide to music education in lockdown
By Elisabeth Schwarz
By , 25 March 2020
25 Mar 2020
Seven easy ways to make music at home
By Tristan Labouret
By , 20 March 2020
20 Mar 2020
Fear and isolation: French musicians face the coronavirus
By Tristan Labouret
By , 20 March 2020
20 Mar 2020
“Chantez, chantez”: Jan Lisiecki on how Chopin made the piano sing
By Jan Lisiecki
By , 19 March 2020
19 Mar 2020
Top ten dancers to follow on Instagram during self-isolation
By Iris Régnier
By , 17 March 2020
17 Mar 2020
The show must go online! A guide to streaming in (self) isolation
By Mark Pullinger
By Richard Stokes, 09 March 2020
09 Mar 2020
Heinrich Heine: the cynical romantic
By Richard Stokes
By , 02 March 2020
02 Mar 2020
Der Freischütz: the magic bullet that fired German Romantic opera
By Mark Pullinger
By , 02 March 2020
02 Mar 2020
On the trail of the great Czech composers
By Frank Kuznik
By , 27 February 2020
27 Feb 2020
Piano tuners' secrets: at the Palau de la Música in Barcelona, Spain
By Bachtrack
By , 20 February 2020
20 Feb 2020
Piano tuners' secrets: at the Barbican in London, UK
By Bachtrack
By , 14 February 2020
14 Feb 2020
Piano tuners' secrets: at Suntory Hall in Tokyo, Japan
By Bachtrack
By , 13 February 2020
13 Feb 2020
The modern harpsichord and its potential
By Goska Isphording
By , 10 February 2020
10 Feb 2020
The highs and lows of the organist life
By Morwenna Campbell-Smith
By , 10 February 2020
10 Feb 2020
More than beer and dumplings: where to eat and drink in Prague
By David Karlin
By , 16 January 2020
16 Jan 2020
Trusting Beethoven: Rudolf Buchbinder on the piano concertos
By Rudolf Buchbinder
By , 08 January 2020
08 Jan 2020
Beethoven 250: Krzysztof Chorzelski on the string quartets
By Krzysztof Chorzelski
By , 08 January 2020
08 Jan 2020
Too much of a good thing? Beethoven's 1808 Akademie in Vienna
By Mark Pullinger
By , 27 December 2019
27 Dec 2019
Pick of the plums: a dip into the highlights of 2019
By Mark Pullinger
By , 02 December 2019
02 Dec 2019
Classical music, opera and dance in Japan
By Robert Markow
By , 21 November 2019
21 Nov 2019
A Catalan Christmas Oratorio: Jordi Savall directs Bach in Barcelona
By Bachtrack
By , 06 November 2019
06 Nov 2019
Lompech on piano: let’s hear it for competitions!
By Alain Lompech