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Category:Interview
Showing 50 of 644 articles
By , 25 November 2022
25 Nov 2022
In the eye of the storm: Welsh National Opera’s Aidan Lang
By David Karlin
By , 25 November 2022
25 Nov 2022
From streaming to total immersion: Idagio’s Till Janczukowicz
By David Karlin
By , 16 November 2022
16 Nov 2022
“It should belong to all of us”: Detlev Glanert’s Prague Symphony
By David Grundy
By , 09 November 2022
09 Nov 2022
The competition revealing the unsung wealth of Polish music
By Peter Quantrill
By , 08 November 2022
08 Nov 2022
Lahav Shani: Digging deep in Rotterdam
By Cameron Kelsall
By , 07 November 2022
07 Nov 2022
Splendour and gold: Regents Opera prepares for new Ring cycle
By Stephen Pritchard
By , 02 November 2022
02 Nov 2022
Vimbayi Kaziboni: Music to change your life
By Lawrence Dunn
By , 21 October 2022
21 Oct 2022
Jörg Widmann: my music develops a life of its own
By Michael Klier
By , 18 October 2022
18 Oct 2022
And the Indianapolis Violin winner is: Sirena Huang
By Cameron Kelsall
By , 12 October 2022
12 Oct 2022
Finding curiosity: DNO Opera Studio's Rosemary Joshua
By David Karlin
By , 11 October 2022
11 Oct 2022
Online opera for the hardcore: the Liceu's Valentí Oviedo
By David Karlin
By , 06 October 2022
06 Oct 2022
Choreographer at the crossroads: Sidi Larbi Cherkaoui lands in Geneva
By Laurine Mortha
By , 04 October 2022
04 Oct 2022
On a voyage of self-discovery: Judit Varga
By George Jahn
By , 03 October 2022
03 Oct 2022
The vulnerability of being centre stage: Alexandra Segal
By Hilary Stroh
By , 30 September 2022
30 Sep 2022
Dancing into the music
By Graham Watts
By , 29 September 2022
29 Sep 2022
A soloist in the making: an interview with Kris Garfitt
By Elena Luporini
By , 28 September 2022
28 Sep 2022
“I'll never forget it”: Violinist Maria Marica
By Kevin W Ng
By , 22 September 2022
22 Sep 2022
Another name to watch: The young cellist Benjamin Kruithof
By Alexander Hall
By , 15 September 2022
15 Sep 2022
Gábor Boldoczki’s dream: Music for everyone
By Michael Klier
By , 14 September 2022
14 Sep 2022
Georgiy Derbas-Richter: Looking for the soul of music
By Zenaida des Aubris
By , 13 September 2022
13 Sep 2022
Amy Lam at 92NY: Programming for a diverse and curious audience
By Kurt Gottschalk
By , 02 September 2022
02 Sep 2022
Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker
By Chantal Nguyen
By , 19 August 2022
19 Aug 2022
Anna Clyne’s Sound and Fury finally arrives in Hong Kong
By Simon Cummings
By , 01 August 2022
01 Aug 2022
Max Emanuel Cenčić: staging rare operas at Bayreuth Baroque
By Laura Servidei
By , 13 July 2022
13 Jul 2022
The helicopter view: Opera Europa's Nicholas Payne
By David Karlin
By , 08 July 2022
08 Jul 2022
Maxim Vengerov: on stage with friends to celebrate 40 years of music
By Kevin W Ng
By , 04 July 2022
04 Jul 2022
Barnabás Kelemen and Katalin Kokas on the Festival Academy Budapest
By George Jahn
By , 01 July 2022
01 Jul 2022
Hans Graf appointed as Music Director of the Singapore Symphony
By Cameron Kelsall
By , 30 June 2022
30 Jun 2022
Meeting the Maestro: in conversation with Fabio Luisi
By Elena Luporini
By , 15 June 2022
15 Jun 2022
Aristocracy of the heart: René Martin on the Festival de la Grange de Meslay
By Tristan Labouret
By , 08 June 2022
08 Jun 2022
Gábor Zoboki, architect of Müpa Budapest
By David Karlin
By , 18 May 2022
18 May 2022
Orchestra Sinfonica di Milano: back to the future
By James Imam
By , 13 May 2022
13 May 2022
The Bamberg Workshop: Wagner concerts in focus
By Alexandra Richter
By , 12 May 2022
12 May 2022
Early music on demand: new EMTV video platform
By Laurence Vittes
By , 10 May 2022
10 May 2022
András Keller on Concerto Budapest's first UK tour
By Stephen Pritchard
By , 05 May 2022
05 May 2022
A voice of one’s own: Ingrid Fliter at the piano
By Elena Luporini
By , 29 April 2022
29 Apr 2022
One for the curious: the Bach-Mendelssohn Connection festival
By Hilary Stroh
By , 21 April 2022
21 Apr 2022
Four to watch: Quartet Integra
By Nahoko Gotoh
By , 20 April 2022
20 Apr 2022
The ICCM: Contemporary music and fresh cakes to London’s West End
By Kurt Gottschalk
By , 07 April 2022
07 Apr 2022
Gävle Symphony Orchestra: from Sweden to the world
By Cameron Kelsall
By , 06 April 2022
06 Apr 2022
Soprano on hold: Danielle de Niese on filming La Voix humaine
By Mark Pullinger
By , 24 March 2022
24 Mar 2022
Elenora Hu – Living in the moment
By Zenaida des Aubris
By , 22 March 2022
22 Mar 2022
In the footsteps of a giant: the Svetlanov Competition
By David Karlin
By , 21 March 2022
21 Mar 2022
Alone Together: Jennifer Koh on new commissions and telling stories
By Kurt Gottschalk
By , 28 February 2022
28 Feb 2022
Peter Eötvös: Sleepless and the hope for a better world
By Zenaida des Aubris
By , 17 February 2022
17 Feb 2022
Keeping the Kuhmo spirit: Minna Pensola and Antti Tikkanen
By David Karlin
By , 28 January 2022
28 Jan 2022
From municipal band player to trumpet virtuoso: Marc Geujon
By Jean Landras
By , 26 January 2022
26 Jan 2022
Hidden warmth: Hans Abrahamsen in focus at NTR ZaterdagMatinee
By Kurt Gottschalk
By , 04 January 2022
04 Jan 2022
Emőke Baráth: a Baroque reference voice looking at bel canto
By Laura Servidei
By , 22 December 2021
22 Dec 2021
Stepping into Petipa’s shoes: Tamara Rojo on creating a new Raymonda
By Mark Pullinger