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Back to the castle: Jere Erkkilä on Tchaikovsky’s Queen of Spades

By , 19 April 2018
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From Riga to Munich: Mariss Jansons on his musical journey

By , 18 April 2018
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Evolution, not revolution: Mischa Maisky interviewed

By , 16 April 2018
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Remember the root: Ksenija Sidorova on Latvia and classical accordion

By , 13 April 2018
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Discovery and drama: Thea Musgrave at 90

By , 12 April 2018
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Opera is essential to today’s society: Serge Dorny on Opéra de Lyon's DNA

By , 11 April 2018
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Making opera a living art form, not a museum art form: Aix Festival's Bernard Foccroulle

By , 10 April 2018
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Katowice’s rebirth through music: Alexander Liebreich on the Kultura Natura Festival

By , 04 April 2018
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Reigning in London: an audience with Anna Netrebko and Yusif Eyvazov

By , 03 April 2018
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Energy and punch: Sian Edwards on conducting Turnage's Coraline

By , 02 April 2018
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Dimitri Arnauts: creative liberty

By , 22 March 2018
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“I need solitude”: Unsuk Chin on literature, creativity and being an individual

By , 20 March 2018
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Hammer of the gods: bringing an Icelandic epic to life

By , 16 March 2018
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A cultural omnivore in London: Daniel Kühnel on the British Museum's A symphony of cultures

By , 15 March 2018
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Christian Merlin: the 21st century orchestra, its intellectual construction and its sonic identity

By , 14 March 2018
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Utopia in a crazy world: Bang on a Can interviewed

By , 14 March 2018
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“There are rewards in taking risks”: Patricia Kopatchinskaja on new music and innovation

By , 08 March 2018
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Freedom within discipline: an Indian classical master on his sarod concerto

By , 07 March 2018
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Le Figaro’s Christian Merlin: “Who am I to pass judgement?”

By , 07 March 2018
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Accessing the future with Kronos Quartet

By , 01 March 2018
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