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Category:Interview
Showing 50 of 546 articles
By , 12 April 2021
12 Apr 2021
Hyuk Lee – The music of everything
By Edward Sava-Segal
By , 01 April 2021
01 Apr 2021
Opéra de Paris' Alexander Neef: Daily survival comes first
By Tristan Labouret
By , 31 March 2021
31 Mar 2021
Atsushi Imada – Musical omnivore
By Sam Jacobson
By , 24 March 2021
24 Mar 2021
Maybe not in a straight line: Teatro Real’s Joan Matabosch
By David Karlin
By , 22 March 2021
22 Mar 2021
Can Çakmur – Deeper than music
By Hugh Morris
By , 16 March 2021
16 Mar 2021
Reborn with every concert: Pablo Heras-Casado
By Juan José Freijo
By , 09 March 2021
09 Mar 2021
Bel canto crusader: Riccardo Frizza on fighting for Donizetti
By Mark Pullinger
By , 02 March 2021
02 Mar 2021
Celebrating 200 years of modern Greece: Giorgos Koumendakis
By David Karlin
By , 01 March 2021
01 Mar 2021
Feeling the urge: cellist Camille Thomas
By Jean Landras
By , 26 February 2021
26 Feb 2021
Fazıl Say: “Music should always come out as an improvisation”
By Nicolas Mathieu
By , 25 February 2021
25 Feb 2021
Surviving the present, crafting the future: La Scala's Dominique Meyer
By David Karlin
By , 22 February 2021
22 Feb 2021
Mastering the online masterclass with baritone Benjamin Appl
By Jenny Camilleri
By , 16 February 2021
16 Feb 2021
Condemned to success: Bayerische Staatsoper's Nikolaus Bachler
By David Karlin
By , 12 February 2021
12 Feb 2021
Anna Neubert – Concert designer
By Michael Klier
By , 08 February 2021
08 Feb 2021
Roman Gerber – On a treasure hunt
By David Renke
By , 05 February 2021
05 Feb 2021
Theodor Sink – You cannot get rich by working
By Zoltán Szabó
By , 02 February 2021
02 Feb 2021
Pushing the boundaries of percussion: Adélaïde Ferrière
By Nicolas Mathieu
By , 02 February 2021
02 Feb 2021
Martin Karu – Aiming for warmth and richness
By Stephen Pritchard
By , 29 January 2021
29 Jan 2021
Pia Davila – On the search for something new
By Isabella Steppan
By , 25 January 2021
25 Jan 2021
Joël Vuik – Ready to go
By Andrew Blackmore-Dobbyn
By , 15 January 2021
15 Jan 2021
Hans Christian Aavik – Finding the meaning in every note
By Kevin W Ng
By , 14 January 2021
14 Jan 2021
Hungary’s Csaba Káel on opera, video and the movies
By David Karlin
By , 11 January 2021
11 Jan 2021
Marcel Johannes Kits – Always curious
By Cameron Kelsall
By , 04 January 2021
04 Jan 2021
Hungary’s artistic polymath: Csaba Káel, CEO of Müpa
By David Karlin
By , 18 December 2020
18 Dec 2020
Marianna Liik – Economies and expressions of scale
By Kurt Gottschalk
By , 17 December 2020
17 Dec 2020
“Music keeps me young”: Herbert Blomstedt interview
By Mark Pullinger
By , 16 December 2020
16 Dec 2020
Annabelle Lopez Ochoa: Zooming into a new repertoire
By Graham Watts
By , 14 December 2020
14 Dec 2020
Mirjam Mesak – True to her own voice
By Jenny Camilleri
By , 11 December 2020
11 Dec 2020
Jeff Smith: changing hearts and minds in Philadelphia
By Alison Karlin
By , 04 December 2020
04 Dec 2020
Virtual Circle: taking classical music into a greener future
By Stephen Pritchard
By , 03 December 2020
03 Dec 2020
At the helm of the aircraft carrier: Oliver Mears
By David Karlin
By , 01 December 2020
01 Dec 2020
Roberto González-Monjas: “a conductor is like a psychologist”
By Timmy Fisher
By , 30 November 2020
30 Nov 2020
Toms Ostrovskis and the Riga Jurmala Music Festival
By Pierre Liscia-Beaurenaut
By , 25 November 2020
25 Nov 2020
Tiffany Poon: “Music is not about music, it’s about life”
By Andrew Blackmore-Dobbyn
By , 25 November 2020
25 Nov 2020
Keeping music live, whatever it takes: Kings Place's Helen Wallace
By David Karlin
By , 20 November 2020
20 Nov 2020
One man, three houses: Hungarian State Opera's Szilveszter Ókovács
By David Karlin
By , 18 November 2020
18 Nov 2020
Optimism on the Baltic: the 2021 Riga Jurmala Music Festival
By David Karlin
By , 02 November 2020
02 Nov 2020
“Heroes in the time of Corona!”: Hans Graf on his Singapore SO
By Mark Pullinger
By , 16 October 2020
16 Oct 2020
Oiling the machine: Klaus Mäkelä on taking up posts in Oslo and Paris
By Mark Pullinger
By , 06 October 2020
06 Oct 2020
Jacquelyn Stucker on building momentum and opera's digital challenge
By Mark Pullinger
By , 02 October 2020
02 Oct 2020
Training tomorrow's stars amid the reality of today's pandemic
By Stephen Pritchard
By , 18 September 2020
18 Sep 2020
Defying Covid-19 in Switzerland: LuganoMusica's Etienne Reymond
By David Karlin
By , 09 September 2020
09 Sep 2020
John Gilhooly: music needs to be united, calm and reasoned
By David Karlin
By , 04 September 2020
04 Sep 2020
Lisette Oropesa on singing a socially-distanced Traviata
By Mark Pullinger
By , 01 September 2020
01 Sep 2020
After Declan Costello's PERFORM study, what next?
By David Karlin
By , 04 August 2020
04 Aug 2020
Virtual Togetherness: Can virtual choirs replace the real thing?
By Alison Karlin
By , 03 August 2020
03 Aug 2020
Choreographers against the pandemic: no.5: Sidi Larbi Cherkaoui
By Laurine Mortha
By , 22 July 2020
22 Jul 2020
Hofesh Shechter, both believing and disbelieving in change
By Laurine Mortha
By Barry Millington, 17 July 2020
17 Jul 2020
From Kokoschka to Lear: Sir John Tomlinson in lockdown
By Barry Millington
By , 16 July 2020
16 Jul 2020
The science for restarting live performance: Declan Costello
By David Karlin