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The raw and realistic drama of Handel's Brockes Passion

By , 19 February 2018
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Véronique Gens: “You mustn't just sing French music, you have to have fun with it"

By , 09 February 2018
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New Music Dublin: iconoclastic, eclectic and, above all, a good time

By , 09 February 2018
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Recovering humanity through music: Jordi Savall

By , 05 February 2018
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Under the bonnet of the ARD Competition

By , 01 February 2018
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Mahan Esfahani: carrying the harpsichord into the next generation

By , 01 February 2018
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Tosca is like a movie”: Joseph Calleja on the genius of Puccini

By , 26 January 2018
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Stamping her personality with charm: Anna Bonitatibus on Rossini

By , 22 January 2018
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From La Scala to The Met: Carlo Rizzi’s view from the pit

By , 15 January 2018
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“They’re not victims!”: Lisette Oropesa on Donizetti’s heroines

By , 08 January 2018
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“A god for us baritones”: Dimitri Platanias on singing Verdi

By , 05 January 2018
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In at the deep end: Anita Rachvelishvili on Milan, Carmen and taking on Verdi's mezzo roles

By , 02 January 2018
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The young face of LA Opera: Matthew Aucoin

By , 01 January 2018
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Tannhäuser, Tristan and Der Ring in Budapest: Ádám Fischer talks Wagner

By , 27 December 2017
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Finding violin virtuosi of the future: Glen Kwok on the International Violin Competition of Indianapolis

By , 22 December 2017
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Users of Bachtrack At Home: “sphericon”

By , 21 December 2017
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“Earth shattering”: Matthew Kofi Waldren on Verdi's Requiem

By , 19 December 2017
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Carnegie Hall “Links Up” the concert hall and the classroom

By , 15 December 2017
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“The repertoire picked me!”: Bryan Hymel on casting, seizing the day and doing the verismo double

By , 14 December 2017
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Users of Bachtrack At Home: “Jack Steinbeck”

By , 13 December 2017
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