Vesko Eschkenazy, concertmaster of the Royal Concertgebouew Orchestra, tells us about his appointment and about the peculiarities of his role he plays in the orchestra.
We meet Didier Shnorhk, general secretary of the Geneva International Music Competition, who reveals the institution’s workings and the trials in store for the entrants…
Mannion, a regular soloist at traditional flamenco venues in Madrid,member of Rafaela Carrasco’s company in 2018, and co-founder & co-artistic director of contemporary flamenco company Dotdotdot Dance discusses her lifelong passion for flamenco
Intensive, precise rehearsal builds trust between musicians, which permits artistic freedom in performance: the Bamberg Symphony's young Chief Conductor tells us how it's done.
As he prepares a season of debuts in some of the biggest European houses, American tenor René Barbera takes time to reflect on his bel canto roles and the challenges ahead.
As he passes on the baton of leadership of CNDM, Antonio Moral takes stock of eight years of accomplishments at its head. He tells us the key to success for festivals and concert seasons, and gives us his take on contemporary music in Spain.
Barcelona has great music but attracts few visitors from abroad. If Victor Medem gets his way, that's going to change, starting with an ambitious new festival in March 2019.
As the 18th edition of the Tokyo International Competition for Conducting approaches, we speak to Hisao Kondo, Chairperson of the Organising Committee.
Remaining in a comfortable niche isn't an acceptable option: the General Manager of Denmark's most prominent classical music export tells us about their plans for wider fame.
Looking back over six decades of performance, Romero talks about leaving Franco-era Spain for America, music, guitar, family, working with great composers, teaching and more.
The 2011 winner of Germany’s most prestigious performing competition talks to us about his experiences of the competition and its subsequent effect on his career.
Josep Pons discusses the future of music in Spain, his goals as the head of the Liceu orchestra, his work with Spanish youth orchestras and his enthusiasm at premièring L'Enigma di Lea, the first opera from Benet Casablancas.
