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“Koreans love music and know how to express it”: Sunwook Kim

By , 07 June 2018
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Making instruments sing: Mario Brunello on the Sounds of the Dolomites festival in Trentino

By , 01 June 2018
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From the principal's desk: Alessandro Carbonare, Orchestra dell'Accademia Nazionale di Santa Cecilia

By , 31 May 2018
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From the principal's desk: Stefan Schilling, Bavarian Radio Symphony Orchestra

By , 31 May 2018
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“Lohengrin’s story will be told”: Klaus Florian Vogt on the fascination of Wagner roles

By , 31 May 2018
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“Everything else pales into insignificance”: Sabine Meyer on Mozart's Basset Clarinet Concerto

By , 28 May 2018
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“I would have hated to be mediocre”: Nina Stemme on winning the Birgit Nilsson Prize

By , 25 May 2018
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Growing talent through television: Plácido Domingo and Leo Pearlman talk to us about Virtuosos

By , 24 May 2018
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From the principal's desk: Anthony McGill, New York Philharmonic

By , 24 May 2018
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“I encourage them to write the impossible": Jörg Widmann on his life as a clarinettist and composer

By , 23 May 2018
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Imagining musical landscapes: Young pianist Thomas Nickell on a life lived in music

By , 22 May 2018
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From the principal's desk: Robert Plane, BBC National Orchestra of Wales

By , 22 May 2018
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Obsession and escapism: Huw Watkins discusses his one-act opera In the Locked Room

By , 21 May 2018
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From the principal's desk: Antony Pay, Orchestra of the Age of Enlightenment

By , 17 May 2018
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“As much as I love the mathematics of dance ... there must be something deeper which matters to me": Hofesh Shechter on his creative process

By , 17 May 2018
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Mozart, Finzi and fine wine: Michael Collins on a passion for the clarinet

By , 15 May 2018
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The mystery of the craft: The Donatella Flick Conducting Competition

By , 14 May 2018
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From the principal's desk: Matthias Schorn and Daniel Ottensamer, Vienna Philharmonic

By , 11 May 2018
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Andreas Ottensamer on the Viennese clarinet tradition

By , 10 May 2018
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From Agnès to Ophelia to Isabel: Barbara Hannigan on tailor-made roles

By , 08 May 2018
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