Showing 50 of 650 articles
26 Jan 2023
Painting pictures at the keyboard: Nikolai Lugansky on Rachmaninov
24 Jan 2023
Bamberg Symphony sets sights on sustainability
11 Jan 2023
“Music is the most living art form”: interview with Pablo Heras-Casado
06 Jan 2023
Arvo Pärt: music for humanity
15 Dec 2022
Orchestras on-demand: the online world of Symphony.live
13 Dec 2022
Tomáš Netopil: traversing 140 years of Czech music
25 Nov 2022
In the eye of the storm: Welsh National Opera’s Aidan Lang
25 Nov 2022
From streaming to total immersion: Idagio’s Till Janczukowicz
16 Nov 2022
“It should belong to all of us”: Detlev Glanert’s Prague Symphony
09 Nov 2022
The competition revealing the unsung wealth of Polish music
08 Nov 2022
Lahav Shani: Digging deep in Rotterdam
07 Nov 2022
Splendour and gold: Regents Opera prepares for new Ring cycle
02 Nov 2022
Vimbayi Kaziboni: Music to change your life
21 Oct 2022
Jörg Widmann: my music develops a life of its own
18 Oct 2022
And the Indianapolis Violin winner is: Sirena Huang
12 Oct 2022
Finding curiosity: DNO Opera Studio's Rosemary Joshua
11 Oct 2022
Online opera for the hardcore: the Liceu's Valentí Oviedo
06 Oct 2022
Choreographer at the crossroads: Sidi Larbi Cherkaoui lands in Geneva
04 Oct 2022
On a voyage of self-discovery: Judit Varga
03 Oct 2022
The vulnerability of being centre stage: Alexandra Segal
30 Sep 2022
Dancing into the music
29 Sep 2022
A soloist in the making: an interview with Kris Garfitt
28 Sep 2022
“I'll never forget it”: Violinist Maria Marica
22 Sep 2022
Another name to watch: The young cellist Benjamin Kruithof
15 Sep 2022
Gábor Boldoczki’s dream: Music for everyone
14 Sep 2022
Georgiy Derbas-Richter: Looking for the soul of music
13 Sep 2022
Amy Lam at 92NY: Programming for a diverse and curious audience
02 Sep 2022
Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker
19 Aug 2022
Anna Clyne’s Sound and Fury finally arrives in Hong Kong
01 Aug 2022
Max Emanuel Cenčić: staging rare operas at Bayreuth Baroque
13 Jul 2022
The helicopter view: Opera Europa's Nicholas Payne
08 Jul 2022
Maxim Vengerov: on stage with friends to celebrate 40 years of music
04 Jul 2022
Barnabás Kelemen and Katalin Kokas on the Festival Academy Budapest
01 Jul 2022
Hans Graf appointed as Music Director of the Singapore Symphony
30 Jun 2022
Meeting the Maestro: in conversation with Fabio Luisi
15 Jun 2022
Aristocracy of the heart: René Martin on the Festival de la Grange de Meslay
08 Jun 2022
Gábor Zoboki, architect of Müpa Budapest
18 May 2022
Orchestra Sinfonica di Milano: back to the future
13 May 2022
The Bamberg Workshop: Wagner concerts in focus
12 May 2022
Early music on demand: new EMTV video platform
10 May 2022
András Keller on Concerto Budapest's first UK tour
05 May 2022
A voice of one’s own: Ingrid Fliter at the piano
29 Apr 2022
One for the curious: the Bach-Mendelssohn Connection festival
21 Apr 2022
Four to watch: Quartet Integra
20 Apr 2022
The ICCM: Contemporary music and fresh cakes to London’s West End
07 Apr 2022
Gävle Symphony Orchestra: from Sweden to the world
06 Apr 2022
Soprano on hold: Danielle de Niese on filming La Voix humaine
24 Mar 2022
Elenora Hu – Living in the moment
22 Mar 2022
In the footsteps of a giant: the Svetlanov Competition
21 Mar 2022
Alone Together: Jennifer Koh on new commissions and telling stories