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Chris Thile and the Knights combine virtuosity and informality, classical music, bluegrass and other genres at Zankel Hall, including Thile’s virtuoso shaggy dog story ATTENTION!

New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

There was an oriental rug on the stage, centered and towards the front, with one stool in the far left corner and a single microphone, dead center. Clearly the makings of a solo show, Chris Thile made a joke about the “International Committee of Solo Performers” – you must play at least one, but no more than three, songs about the civil war.