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A rare pairing of Rachmaninov's Aleko and Leoncavallo's Pagliacci was the first première of the New York City Opera's 2016-2017 season.

The Lyric Opera put together the best-sounding première of the year so far, in which singers, chorus and the orchestra all began with astonishing confidence and only improved from there.

Does it really matter where an opera is set? These days, this question seems to trail Rigoletto.