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Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre. 

Polly Graham's production turns semi-opera into “three-quarters opera”, to good effect.

A Rossini comedy should sparkle, but this new production, starting its tour from Hackney, is decidedly lacking bubbles.

Donizetti’s tale of one the Italian Renaissance’s objects of hate is well sung and superbly acted in ETO's new spring tour production.

La bohème may not seem the obvious choice for a very small theatre, but HGO carry it off with aplomb, with the help of Rodolfo sung by a star in the making.

Timothy Edlin was a superb ass, first among six equals, in Liam Steel's production. 

Britten's A Midsummer Night's Dream lacking a little magic at the RNCM.