Live, Video: Find classical music concert, opera, ballet and dance reviews | Dean Bryant

As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio? 

Dean Bryant's production of Leonard Bernstein’s operetta leans more towards musical theatre, blending French period costumes with weak attempts at Aussie humour. 

Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.