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London City Ballet make a big impression with a program of contrasting ballets. One hopes they might expand into a bigger company, but for now, this is a small chamber company worth following.

London City Ballet are back on at Sadler’s Wells in an intriguing double bill comprising John Neumeier’s Ghost Light and Glen Tetley’s Firebird. The company is looking stronger than ever.

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.

While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program. 

London City Ballet return in a new incarnation at Sadler's Wells, promising a great future.