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Scotland's Dunedin Consort offers a radiant program of Purcell and his peers.

It seems unfair to describe this as a Jordi Savall concert, when in fact Xavier Díaz-Latorre, introduced as his collaborator, played at least as fundamental a role and provided some of the most memorable moments of the evening.

‘Fêtes Galantes’ is one of those glorious French phrases that sounds so wonderful but is nigh on impossible to translate. Rather than having any concrete meaning, it evokes Watteau-esque imagery of woodland gatherings, where eighteenth-century aristocrats amuse themselves by flirting, dancing and making music.