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Seeing Frankenstein in its 2025 incarnation feels worthy and redemptive. It’s as vivid and cinematic as ballet gets.

Despite drawbacks, this is a bold and imaginative approach to creating dance theatre from the titan of gothic horror 

Here technology breathes theatricality into vast architectural sets, where shadows haunt and light electrifies. 

A steampunk treat for Mary Shelley’s novella fan: Liam Scarlett’s Frankenstein for the Royal Ballet (in collaboration with the San Francisco Ballet) opens at the Royal Opera House.