Buscador de artículos | Orsolya Gyárfás

Iván Fischer's reworking of his 2017 production of Don Giovanni is musically capable, but dramatically unconvincing.

Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

Individual performances impress, but conducting and production both prove too meandering in this year’s Wagner Days Tannhäuser.

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

Peter Kellner and Slávka Zámečníková's charming duo anchors this revival of Barrie Kosky's high spirited production.

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale. 

Anna Goryachova and Mélissa Petit shine as doomed lovers Tancredi and Amenaide, while Jan Philipp Gloger's contemporary setting has much to offer, but doesn't quite nail the landing.

Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast. 

András Almási-Toth production of the original version of Mussorgsky's historical epic underwhelms in Budapest. 

Elīna Garanča's Kundry proves the star of Kirill Serebrennikov's prison staging of Parsifal, a powerful exploration of religion and violence. 

While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria. 

A sense of marvel and joy permeates this New Year's Day performance of Haydn's oratorio at Müpa, Budapest. 

A strong cast led by an energetic Pablo Heras-Casado struggles in the revival of Jürgen Flimm's ill-conceived 2012 production.

With Iréne Theorin's Brünnhilde rejuvenated, the Ring receives a worthy finale at the Budapest Wagner Days.

The pure magic of Ádám Fischer and the Hungarian Radio Symphony Orchestra delights with two brilliant leads, but others disappoint on the second day of Müpa's Ring.

In their role debuts, Tassis Christoyannis and Véronique Gens make for an incredible pair in this concert performance of Massenet's opera.

Massed Hungarian forces impress in a monumental performance of Berlioz' grand work under Howard Williams' baton.

The opening night of Müpa’s Early Music Festival had all the makings of an excellent concert and it delivered in abundance.

A performance of highs and lows with a stellar step-in from Lidia Fridman as Lucrezia Borgia and a confused production by Ferenc Anger plays at the Palace of Arts.

Conducted by Iván Fischer, a strong cast delivers an entertaining performance of Monteverdi's opera in a production that amuses, but does not quite thrill.

Iván Fischer’s take on Monteverdi’s opera offers a radical rewriting within the trappings of a traditional staging.

Lead by Pál Németh, the Savaria Baroque Orchestra and the Kodály Choir Debrecen are the stars of this performance of Handel's oratorio.

Philippe Jaroussky and Emőke Baráth's team-up with the Ensemble Artaserse proved nothing short of wonderful.

In a pasticcio of Hasse’s Artaserse and Ezio, director Balázs Kovalik and the students of the Theaterakademie August Everding stage the life of Wilhelmine von Bayreuth.

The Iván Fischer Opera Company makes a triumphant foray into Verdi's oeuvre.

A delightful performance of Rameau's opera opens the Müpa's Early Music Festival.

Ádám Fischer delivers a remarkable performance of Haydn's great oratorio.

With Gergely Kesselyák on double duty as conductor and director, this revival proves musically outstanding but theatrically less than satisfying.

An outstanding cast under Ottavio Dantone at the Theater an der Wien was headed by Lawrence Zazzo and Emőke Baráth.

Iván Fischer's minimalist staging of Don Giovanni makes a triumphant return to Mupa, Budapest.

With a guest performance of the Komische Oper Berlin, Barrie Kosky's and Suzanne Andrade's magical production triumphs in Budapest.

The third installment of Géza M. Tóth's staging of the Ring, this Siegfried is visually striking, but it's only a strong cast, and above all Egils Silins' Wanderer, that makes it worth attending.

With a convoluted production and uneven cast, Tamás Pál in the pit and Klára Kolonits as Erzsébet Szilágyi prove to be the highlights of the performance of this Erkel classic.

Led by Pál Németh, the Savaria Baroque Orchestra, the Debrecen Kodály Choir and a fine ensemble of soloists gave a memorable performance of Händel's oratorio.

A warhorse on its own, Kálmán Nádasdy's 79-year-old production works surprisingly well, providing a nice evening's entertainment with a dedicated cast.

Klára Kolonits's marvellous Lucia is the only thing brightening the bleak performance of the Hungarian State Opera's new Lucia di Lammermoor.

Quality singing impresses in Puccini's opera at the Hungarian State Opera, despite a dusty staging.

Although with a promising concept, the Hungarian State Opera’s new production ultimately proved underdirected.

Underwhelming performances, all too tempestuous conducting and an aesthetically pleasing but puzzling production fail to thrill.

Singers delight in a rare concert performance of Bellini's opera.

A neglected work in Hungary, Idomeneo receives an intense performance under the baton of György Vashegyi.

Inadequate production and mixed performances characterize the Hungarian State Opera's new Trovatore.

Solid singing proves to be the main attraction of an ineffective new staging of Die Walküre at the Hungarian State Opera.

A bright evening of the "Mozart Effect" series somewhat dulled by a bizarrely structured programme.