Oldie but goodie: La bohème at the Hungarian State Opera

Por Orsolya Gyárfás, 24 diciembre 2016

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“the claustrophobic, barely furnished attic feels highly appropriate”

Crítica hecha desde Hungarian State Opera: Auditorium, Budapest el 23 diciembre 2016

Puccini, La bohème

Hungarian State Opera

Péter Halász, Dirección

Christian Badea, Dirección

Kálmán Nádasdy, Dirección de escena

Gusztáv Oláh, Diseño de escena

Tivadar Márk, Diseño de vestuario

Attila Fekete, Rodolfo

Charles Castronovo, Rodolfo

Andrea Rost, Mimì

Karine Babajanyan, Mimì

Csaba Szegedi, Marcello

Levente Molnár, Marcello

Orsolya Hajnalka Rőser, Musetta

Zita Váradi, Musetta

Zoltan Nagy, Schaunard

Csaba Sándor, Schaunard

István Kovács, Colline

Gábor Bretz, Colline

András Hábetler, Benoît, Alcindoro

Gábor Németh, Benoît

Tamás Szüle, Alcindoro

László Beöthy-Kiss, Parpignol

Sándor Palcsó, Director de reposición

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**111

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*****

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Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

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Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

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Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

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In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale.

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Orsolya Gyárfás

A university student in Budapest, currently pursuing a degree in Aesthetics, Orsolya is an opera fan, particularly interested in the works of Mozart and Wagner.