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Puccini: Madama ButterflyNueva producción

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
sábado 12 junio 202718:00
martes 15 junio 202718:00
jueves 17 junio 202718:00
domingo 20 junio 202711:00
miércoles 23 junio 202718:00
viernes 25 junio 202718:00
domingo 27 junio 202711:00
Programa
Puccini, Giacomo (1858-1924)Madama ButterflyLibreto de Luigi Illica, Giuseppe Giacosa
Intérpretes
Hungarian State Opera
Cornelius MeisterDirección
Barbora HorákováDirección de escena
Wolfgang MenardiDiseño de escena
Eva Maria van AckerDiseño de vestuario
Felice RossDiseño de iluminación
Hungarian State Opera Orchestra
Hungarian State Opera Chorus
Diana MarkosianVideoarte
Andrea Tortosa VidalBailarín
Gábor CsikiDirección de coro
Lilla HortiSopranoCio-Cio-San (Madama Butterfly)2027 jun 12, 15, 17, 20 Matiné
Corinne WintersSopranoCio-Cio-San (Madama Butterfly)2027 jun 23, 25, 27 Matiné
Szabolcs BricknerTenorPinkerton
Attila MókusBajo-barítonoSharpless2027 jun 12, 23, 25, 27 Matiné
Károly SzemerédyBarítonoSharpless2027 jun 15, 17, 20 Matiné
Anna Csenge FürjesMezzosopranoSuzuki
Péter BalczóTenorGoro
András KissBarítonoThe Bonze
Barna BartosTenorPrince Yamadori
Máté FülepBarítonoThe Imperial Commissioner

One of the absolute “hits” of the opera repertoire, Giacomo Puccini’s Madama Butterfly, is well-known to every opera lover; its tragic story has brought tears to millions of eyes in the century since its premiere. Countless creators around the world have staged the work in countless interpretations, as the world has changed greatly, and with it, so has the way the piece is perceived. The time has come for the OPERA’s former, traditional production to be replaced by a new one, whose female-centred perspective adds new layers of meaning. For if we think about it more deeply, everything we see is merely a tiny fragment of the whole, and each piece of the puzzle can only gain meaning together with the others. And what would happen if we were to view this story through the eyes of a boy who happens to be an unplanned child of a young Japanese geisha and an American sailor, observing events from a time that no longer belongs to his passionate, young parents? Born in Prague, trained in vocal art in Switzerland and later in directing in Germany, and maintaining a close working relationship with the also well-known Calixto Bieito, Barbora Horáková offers an innovative interpretation: a dual narrative spanning generations and continents, accompanied by the powerful visual world of Armenian-born American photo and video artist Diana Markosian. Following the spectacular Prokofiev opera War and Peace, this new collaboration between the OPERA and the Grand Théâtre de Genève examines traditions, passions, and their impact across generations. The production arrives in Budapest following its 2026 Swiss premiere.

Críticas de Madama Butterfly dirigida por Barbora Horáková

Puccini: Madama Butterfly