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BudapestBest of Puccini

Puccini
Gergely Madaras; Attila Toronykőy; Hungarian State Opera; István Dénes; Balázs Fügedi; Katalin Juhász; Tamás Pillinger
BudapestMahler: Symphony No. 8

Mahler: Sinfonía núm. 8 en mi bemol mayor 'Sinfonía de los mil'
Hungarian State Opera Orchestra; János Kovács; Zita Szemere; Lilla Horti; Zsuzsanna Kapi; Andrea Szántó
BudapestNew Year's at the Opera House

Beethoven, Haydn
Gábor Hontvári; Lilla Horti; Atala Schöck; István Kovácsházi; Krisztián Cser
BudapestBella – Almási: PassionEstreno absoluto

Bella: Passion
Ádám Cser; András Almási-Toth; Hungarian State Opera; Lili Izsák; Hungarian State Opera Orchestra; Hungarian State Opera Chorus; Botond Pál
BudapestWagner: ParsifalVersión de concierto

Wagner: Parsifal
Péter Halász; Hungarian State Opera; Hungarian State Opera Orchestra; Hungarian State Opera Chorus; Michele Kalmandy; Károly Szemerédy
BudapestBest of Puccini + Schicchi 2.0

Unknown, Puccini
Hungarian State Opera Orchestra; István Dénes; Attila Toronykőy; Balázs Fügedi; Katalin Juhász; Tamás Pillinger
Últimas críticasVer más...
Musicians of Monsalvat: a new Parsifal opens Budapest’s Wagner Days

Birgit Kajtna-Wönig’s new semi-staging of Wagner's Bühnenweihfestspiel pays homage to Ádám Fischer's committed musical forces.
Commanding Götterdämmerung brings Müpa's Ring to a blazing end

With Iréne Theorin's Brünnhilde rejuvenated, the Ring receives a worthy finale at the Budapest Wagner Days.
A torrent of themes: Parsifal at Hungarian State Opera
In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.
A near-flawless cast in Das Rheingold in Budapest
Hartmut Schörghofer's updated concert staging receives strong singing from everyone and a thrilling orchestral performance.
Lack of emotional connection in Pique Dame
This double cast, nine-day revival of Vadim Milkov's staging of Pique Dame offers a relatively straight reading of Tchaikovsky's opera about the obsessive Pushkin-based character Herman. Embracing the opera's choral and dance passages, spectacle and pageantry are paramount; the drama's surreal and more nuanced dimensions could have been better profiled.
