| miércoles 30 diciembre 2026 | 19:30 |
| sábado 02 enero 2027 | 19:00 |
| domingo 03 enero 2027 | 18:00 |
| martes 05 enero 2027 | 19:30 |
| jueves 07 enero 2027 | 19:30 |
| viernes 08 enero 2027 | 19:30 |
| sábado 09 enero 2027 | 18:00 |
| lunes 11 enero 2027 | 19:30 |
| martes 12 enero 2027 | 19:30 |
| miércoles 13 enero 2027 | 19:30 |
| Puccini, Giacomo (1858-1924) | La bohème | Libreto de Luigi Illica, Giuseppe Giacosa |
| Gran Teatre del Liceu | |||
| Giacomo Sagripanti | Dirección | ||
| Paolo Gavazzeni | Dirección de escena | ||
| Leila Fteita | Diseño de escena | ||
| Nicoletta Ceccolini | Diseño de vestuario | ||
| Andrea Anfossi | Diseño de iluminación | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Piero Maranghi | Dirección de escena | ||
| Rinaldo Rinaldi | Diseño de escena | ||
| Adolf Hohenstein | Diseño de vestuario | original | |
| Pablo Assante | Dirección de coro | ||
| Andrea Antognetti | Tenor | Street Vendor | |
| Alberto Espinosa | Tenor | Street Vendor | |
| Alessandro Vandin | Bajo | Sergeant | |
| Igor Tsenkman | Bajo | Sergeant | |
| Pene Pati | Tenor | Rodolfo | dic 30, 2027 ene 05, 08, 13, 17 |
| Freddie De Tommaso | Tenor | Rodolfo | 2027 ene 02, 07, 18 |
| Roberto Alagna | Tenor | Rodolfo | 2027 ene 11, 14 |
| Kang Wang | Tenor | Rodolfo | 2027 ene 03, 09, 12, 16, 19 |
| Pretty Yende | Soprano | Mimì | dic 30, 2027 ene 05, 08, 13, 17 |
| Ermonela Jaho | Soprano | Mimì | 2027 ene 02, 07, 11, 14, 16 |
| Carolina López Moreno | Soprano | Mimì | 2027 ene 03, 09, 12, 18, 19 |
| Andrzej Filończyk | Barítono | Marcello | dic 30, 2027 ene 05, 08, 13, 17 |
| Artur Ruciński | Barítono | Marcello | 2027 ene 02, 07, 11, 14, 18 |
| Carles Pachón | Barítono | Marcello | 2027 ene 03, 09, 12, 16, 19 |
| Sara Blanch | Soprano | Musetta | dic 30, 2027 ene 05, 08, 13, 17 |
| Serena Sáenz | Soprano | Musetta | 2027 ene 02, 07, 11, 14, 18 |
| Alexandra Oomens | Soprano | Musetta | 2027 ene 03, 09, 12, 16, 19 |
| Joan Martín-Royo | Barítono | Schaunard | dic 30, 2027 ene 05, 08, 13, 17 |
| Milan Perišić | Barítono | Schaunard | 2027 ene 02, 07, 11, 14, 18 |
| Pau Armengol | Bajo | Schaunard | 2027 ene 03, 09, 12, 16, 19 |
| Nicolas Testé | Bajo | Colline | dic 30, 2027 ene 05, 08, 13, 17 |
| Alejandro Baliñas Vieites | Bajo | Colline | 2027 ene 02, 07, 11, 14, 18 |
| Krzysztof Bączyk | Bajo | Colline | 2027 ene 03, 09, 12, 16, 19 |
| Stefano Palatchi | Bajo | Benoît, Alcindoro | |
| Francisco Ariza | Tenor | Parpignol | |
| Miguel Rosales | Bajo | Parpignol | |
| Dimitar Darlev | Bajo | Customs Officer | |
| Pau Bordas | Barítono | Customs Officer |
With an extraordinary cast —Pretty Yende, Ermonela Jaho, Carolina López Moreno, Freddie De Tommaso, Pene Pati, Kang Wang, Serena Sáenz, Sara Blanch, Andrzej Filończyk, Artur Ruciński, Carles Pachon and others— and under the musical direction of maestro Giacomo Sagripanti, La bohème comes to the Liceu with the intensity of a story that continues to move audiences. The classic production by Paolo Gavazzeni and Piero Maranghi, from the Teatro Regio di Turin, invites us to discover an intimate and vibrant Paris, where every emotion is kindled with sincerity.
In this bohemian universe, between the narrowness of the garrets and the vastness of human desire, Puccini reveals a moving paradox: in a world of cold and hardship, a spirituality is born from simple gestures, tenderness, and shared silences. Love becomes ritual; poverty, martyrdom; lightness, sin, and art, a path to unexpected redemption.
The young people who live there are not heroes, but souls who laugh, doubt, and cling to life with a passion as fragile as it is intense. Rodolfo and Mimì embody a love that oscillates between dreamed eternity and inevitable transience. Mimì, with her almost liturgical sweetness, turns her farewell into a moment of unforgettable tragic light.
Bohemia —irreverent, free, disorderly— is also a subtle gesture of rebellion: replacing the temple with the room, ritual with improvisation, rule with passion. In this intimate space, Puccini’s music captures the trembling of the soul and elevates the ephemeral until it becomes pure emotion.
Because La bohème is not only the chronicle of young artists; it is the revelation of a mystery that only love can unveil. A love that, in its most fragile instant, leaves an indelible mark on all those who have lived it.

