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| Puccini, Giacomo (1858-1924) | La bohème | Livret de Luigi Illica, Giuseppe Giacosa |
| Gran Teatre del Liceu | |||
| Giacomo Sagripanti | Direction | ||
| Paolo Gavazzeni | Mise en scène | ||
| Leila Fteita | Décors | ||
| Nicoletta Ceccolini | Costumes | ||
| Andrea Anfossi | Lumières | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Piero Maranghi | Mise en scène | ||
| Rinaldo Rinaldi | Décors | ||
| Adolf Hohenstein | Costumes | original | |
| Pablo Assante | Chef de chœur | ||
| Andrea Antognetti | Ténor | Street Vendor | |
| Alberto Espinosa | Ténor | Street Vendor | |
| Alessandro Vandin | Basse | Sergeant | |
| Igor Tsenkman | Basse | Sergeant | |
| Pene Pati | Ténor | Rodolfo | déc. 30, 2027 janv. 05, 08, 13, 17 |
| Freddie De Tommaso | Ténor | Rodolfo | 2027 janv. 02, 07, 18 |
| Roberto Alagna | Ténor | Rodolfo | 2027 janv. 11, 14 |
| Kang Wang | Ténor | Rodolfo | 2027 janv. 03, 09, 12, 16, 19 |
| Pretty Yende | Soprano | Mimì | déc. 30, 2027 janv. 05, 08, 13, 17 |
| Ermonela Jaho | Soprano | Mimì | 2027 janv. 02, 07, 11, 14, 16 |
| Carolina López Moreno | Soprano | Mimì | 2027 janv. 03, 09, 12, 18, 19 |
| Andrzej Filończyk | Baryton | Marcello | déc. 30, 2027 janv. 05, 08, 13, 17 |
| Artur Ruciński | Baryton | Marcello | 2027 janv. 02, 07, 11, 14, 18 |
| Carles Pachón | Baryton | Marcello | 2027 janv. 03, 09, 12, 16, 19 |
| Sara Blanch | Soprano | Musetta | déc. 30, 2027 janv. 05, 08, 13, 17 |
| Serena Sáenz | Soprano | Musetta | 2027 janv. 02, 07, 11, 14, 18 |
| Alexandra Oomens | Soprano | Musetta | 2027 janv. 03, 09, 12, 16, 19 |
| Joan Martín-Royo | Baryton | Schaunard | déc. 30, 2027 janv. 05, 08, 13, 17 |
| Milan Perišić | Baryton | Schaunard | 2027 janv. 02, 07, 11, 14, 18 |
| Pau Armengol | Basse | Schaunard | 2027 janv. 03, 09, 12, 16, 19 |
| Nicolas Testé | Basse | Colline | déc. 30, 2027 janv. 05, 08, 13, 17 |
| Alejandro Baliñas Vieites | Basse | Colline | 2027 janv. 02, 07, 11, 14, 18 |
| Krzysztof Bączyk | Basse | Colline | 2027 janv. 03, 09, 12, 16, 19 |
| Stefano Palatchi | Basse | Benoît, Alcindoro | |
| Francisco Ariza | Ténor | Parpignol | |
| Miguel Rosales | Basse | Parpignol | |
| Dimitar Darlev | Basse | Customs Officer | |
| Pau Bordas | Baryton | Customs Officer |
With an extraordinary cast —Pretty Yende, Ermonela Jaho, Carolina López Moreno, Freddie De Tommaso, Pene Pati, Kang Wang, Serena Sáenz, Sara Blanch, Andrzej Filończyk, Artur Ruciński, Carles Pachon and others— and under the musical direction of maestro Giacomo Sagripanti, La bohème comes to the Liceu with the intensity of a story that continues to move audiences. The classic production by Paolo Gavazzeni and Piero Maranghi, from the Teatro Regio di Turin, invites us to discover an intimate and vibrant Paris, where every emotion is kindled with sincerity.
In this bohemian universe, between the narrowness of the garrets and the vastness of human desire, Puccini reveals a moving paradox: in a world of cold and hardship, a spirituality is born from simple gestures, tenderness, and shared silences. Love becomes ritual; poverty, martyrdom; lightness, sin, and art, a path to unexpected redemption.
The young people who live there are not heroes, but souls who laugh, doubt, and cling to life with a passion as fragile as it is intense. Rodolfo and Mimì embody a love that oscillates between dreamed eternity and inevitable transience. Mimì, with her almost liturgical sweetness, turns her farewell into a moment of unforgettable tragic light.
Bohemia —irreverent, free, disorderly— is also a subtle gesture of rebellion: replacing the temple with the room, ritual with improvisation, rule with passion. In this intimate space, Puccini’s music captures the trembling of the soul and elevates the ephemeral until it becomes pure emotion.
Because La bohème is not only the chronicle of young artists; it is the revelation of a mystery that only love can unveil. A love that, in its most fragile instant, leaves an indelible mark on all those who have lived it.

