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Música clásica, ópera, ballet y danza en Birmingham, Reino Unido

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Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
Próximos eventosVer más...

BirminghamCBSO Youth Orchestra Academy: A Fist Full of Fives

CBSO Youth Orchestra Academy: A Fist Full of Fives
Sutton, Mozart, Skalkottas, Beethoven
CBSO Youth Orchestra; Michael Seal; Savitri Grier

BirminghamParsifal

Parsifal
Wagner: Parsifal
Richard Farnes; PJ Harris; Opera North; Toby Spence; Robert Hayward; Eric Greene; Katarina Karnéus

BirminghamThe Nutcracker

Tchaikovsky: El cascanueces
Marius Petipa; Lev Ivanov; Sir Peter Wright; Birmingham Royal Ballet; John Macfarlane; David Finn; Royal Ballet Sinfonia
Últimas críticasVer más...

Music on autopilot: Michael Seal and the CBSO at Symphony Hall

Michael Seal © Eric Richmond
Attempts at crowd-pleasing go awry in music by Vaughan Williams and Gary Carpenter, while John Foulds escapes unscathed.

Volatility unites music by Elgar, Strauss and Takemitsu in Birmingham

Kazuki Yamada © Marco Borggreve
The CBSO Youth Orchestra under Kazuki Yamada find connections in three works inhabiting very different worlds.

Mirga's Mahler: the Symphony of a Thousand in Birmingham

The CBSO performs Mahler's Symphony no. 8 at Birmingham Symphony Hall © Andrew Fox
Mirga Gražinytė-Tyla approached the Eighth with a clear vision of the music’s structure and a plan to free the life that teems beneath its mighty vaults.

A White House Rigoletto with some impressive voices

Mark S Doss (Rigoletto) © Richard Hubert Smith
Welsh National Opera brought a cast of strong voices to Birmingham for a production of Rigoletto intriguingly set in the White House of the 1960s. 

Just like 1913: CBSO YO taps into the shock of The Rite of Spring

Andrew Gourlay © Johan Persson
The CBSO Youth Orchestra under Andrew Gourlay both succumb to and transcend imperfections in their performances of Prokofiev and Stravinsky.

Traditional to the core: BRB's Giselle returns

Momoko Hirata (Giselle) and César Morales (Albrecht) © Bill Cooper
The welcome return of a thoughtful interpretation of this much-loved ballet