jueves 20 noviembre 2025 | 19:30 |
Walton, William (1902-1983) | Façade | |
Karpman, Laura (n. 1959) | Balls (concert performance) |
Emma Doherty | Dirección de escena | |
Ruth Paton | Diseño de escena | |
Marin Alsop | Dirección | |
Nikola Printz | Mezzosoprano | Billie Jean King |
Toby Spence | Tenor | Bobby Riggs |
Emma Kennedy | Soprano | Howard Cosell |
Lotte Betts-Dean | Mezzosoprano | Marilyn Barnett |
Eve Pearson Maxwell | Soprano | Susan B. Anthony |
Oliver Barker | Bajo | Larry King |
Mia Serracino-Inglott | Mezzosoprano | Rosie Casals |
Philharmonia Orchestra | ||
London Voices |
Laura Karpman’s opera Balls tells the story of the Battle of the Sexes tennis match of 1973 – a decisive victory for Billie Jean King and for gender equality.
Composer Laura Karpman and conductor Marin Alsop are the perfect team to bring this turning point in the struggle for women’s rights to a 21st-century audience. Karpman, composer of many acclaimed film and game soundtracks including American Fiction, The Marvels and Kung Fu Panda 2, is a fierce advocate for equality in the film industry. Marin Alsop has blazed a trail for women conductors, through a performing career studded with ‘firsts’ and as a mentor and educator. And both know how to make music that is just as fun as it is hard-hitting.
Opening this evening’s event is Façade, a setting of Edith Sitwell’s poems by her protege William Walton. Some listeners at the 1923 premiere were shocked by this meeting of nonsense and nostalgia, modernism and music hall, with its poems transformed by Walton’s music into satirical hornpipes, polkas and foxtrots. But Sitwell herself declared it ‘a work for the most part of gaiety… the audience is meant to laugh.’
Balls: music by Laura Karpman, based on an idea by Laura Karpman and Gail Collins, libretto by Gail Collins, Nora Kroll-Rosenbaum, and Shannon Hawles.
