| Afanador | Música: Saavedra, Juan Cristóbal (n. 1974) Coreografía: Marcos Morau, Lorena Nogal, Shay Partush, Jon López |
| Ballet Nacional de España | |
| Max Glaenzel | Diseño de escena |
| Silvia Delagneau | Diseño de vestuario |
| Bernat Jansa | Diseño de iluminación |
| Roberto Fratini | Dramaturgia |
| Marc Salicru | Videoarte |
| Ruvén Afanador | Photography |
| La Veronal | |
| Rubén Olmo | Bailarín |
In his works Mil Besos, published in 2009, and Ángel gitano, from 2014, the Colombian photographer Ruvén Afanador has integrated the image of flamenco into contemporary visual language in a very personal way. Under the Andalusian sun and in high-contrast black and white, this author of covers for magazines such as Vogue, Elle, Vanity Fair or Rolling Stone erases in the aforementioned photographic series -focusing, respectively, on female and male bodies- the traditional gender limits in a magnificent play of light and shadow.
Afanador, by Marcos Morau - trained between Barcelona and New York, director of the dance company La Veronal and winner of the 2013 National Dance Prize - sets out to create from this photographer's gaze "a work of respect and fascination, like a dialogue that hybridises two languages in search of a new universe". Transforming one legacy into another, trying to build a common space: "because we all carry within us that which agitates us and our voices together are capable of moving forward and continuing to build imaginaries that inspire others". And so on.
