Fascinante Afanador por el BNE: una brillante y surrealista visión de Andalucía

El Ballet Nacional de España en Afanador de Marcos Morau

Por Cristina de Lucas, 11 febrero 2024

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“El efecto general de esta mezcla teatral es potente”

Crítica hecha desde Teatro Real: Sala Principal, Madrid el 9 febrero 2024

Afanador (Marcos Morau, Lorena Nogal, Shay Partush, Jon López)

Ballet Nacional de España

Max Glaenzel, Diseño de escena

Silvia Delagneau, Diseño de vestuario

Bernat Jansa, Diseño de iluminación

Roberto Fratini, Dramaturgia

Marc Salicru, Videoarte

Ruvén Afanador, Photography

La Veronal

Rubén Olmo, Bailarín

Sonoma, el poder galvanizador de lo femenino

Laurine Mortha, 20th January

Una coreografía estimulante, una música galvanizadora y una escenografía onírica: Marcos Morau vuelve con Sonoma, una obra genial que marida el hiperpoder femenino con la tradición religiosa.

*****

Marcos Morau en majesté dans Afanador au Châtelet

Iris Régnier, 27th March

Inspiré des photographies de Ruven Afanador, Marcos Morau mêle ici la mode, l'image et le flamenco dans un spectacle flamboyant interprété par un Ballet Nacional de España au sommet de son art.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

NDT 1’s Wildsong: innovative dance set to cinematic scores

Mark Vicente, 20th February

Wildsong presents a refreshing take on contemporary movement rooted in classical technique while revisiting a recent conceptual work of much acclaim, both performed by artists at the peak of their physical prowess.

****1

Marcos Morau’s Romeo + Juliet: lessons in volatility

Deborah Weiss, 3rd April

An unconventional dance take on Prokofiev's ubiquitous ballet for Opera Ballet Vlaanderen in Antwerp is not for the faint-hearted.

***11

Firmamento à Chaillot : Marcos Morau au pays de Miyazaki

Laurine Mortha, 23rd May

Destinée aux adolescents, la dernière création du chorégraphe espagnol met en scène les projections de l’enfance et ce moment où, en grandissant, l’imaginaire se sédimente pour donner forme à un réel qui advient.

****1

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.