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Ballet: The Corsair

Estonian National Opera HouseEstonia pst 4, Tallinn, Harju, 10148, Estonia
Fechas/horas en zona horaria de Tallinn
jueves 15 octubre 202619:00
sábado 24 octubre 202619:00
viernes 06 noviembre 202619:00
jueves 12 noviembre 202619:00
sábado 21 noviembre 202619:00
jueves 03 diciembre 202619:00
Intérpretes
Estonian National Opera
Lauri SirpDirección
Andres KaljusteDirección
Iñaki Cobos GuerreroDiseño de escena
Rasmus RembelDiseño de iluminación
Estonian National Opera Orchestra
Alena Shkatula-EdurBailarínMedora
William NewtonBailarínConrad
Ketlin OjaBailarínGulnare
Rasmus AhlgrenBailarínLankendem
Yuki NonakaBailarínAli
Oscar PouchoulinBailarínPasha-Seyd

Despite having written approximately 40 operas and several other stageworks, the ballets “Giselle” (1841) and “The Corsair” (1856) as well as the marvellous Christmas carol “O Holy Night” (1843) remain his best known works. This classic ballet narrates the story of the passionate pirate Conrad who falls in love with the beautiful Medora. When Conrad and his pirates abduct Medora from a slave market to their secret grotto, the adventure is just about to begin...

Choreographer José Carlos Martinez: “For me it was a ballet that I never danced myself and it was interesting to try to do something that would be respectful of the tradition, not a new version of a classical ballet. I wanted to give “The Corsair” something unique from me, and at the same time preserve the lush and beauty of all these famous moments, like the magic garden or the big pas de deux, the pas d’esclaves. So, I thought it was reasonable to make a purified version of the ballet, composed of a fairy tale quality similar to “Giselle” or “The Nutcracker” and simplify the dramaturgy of an otherwise complicated plot and bring to the foreground the main characters of Medora and Conrad. Therefore, what the audience will be able to see, is a story of love between the two main protagonists and the adventures of their well-known companions. I found the inspiration for the story in Lord Byron’s poem, as well as in the original score by Adolphe Adam, which I also changed where necessary. I put all these iconic parts in the centre of the ballet and round them I built my story”.