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Ballet: The Corsair

Estonian National Opera HouseEstonia pst 4, Tallinn, Harju, 10148, Estland
Datum/Zeit in Tallinn Zeitzone
Donnerstag 15 Oktober 202619:00
Samstag 24 Oktober 202619:00
Freitag 06 November 202619:00
Donnerstag 12 November 202619:00
Samstag 21 November 202619:00
Donnerstag 03 Dezember 202619:00
Darsteller
Estonian National Opera
Lauri SirpMusikalische Leitung
Andres KaljusteMusikalische Leitung
Iñaki Cobos GuerreroBühnenbild
Rasmus RembelLicht
Estonian National Opera Orchestra
Alena Shkatula-EdurTanzMedora
William NewtonTanzConrad
Ketlin OjaTanzGulnare
Rasmus AhlgrenTanzLankendem
Yuki NonakaTanzAli
Oscar PouchoulinTanzPasha-Seyd

Despite having written approximately 40 operas and several other stageworks, the ballets “Giselle” (1841) and “The Corsair” (1856) as well as the marvellous Christmas carol “O Holy Night” (1843) remain his best known works. This classic ballet narrates the story of the passionate pirate Conrad who falls in love with the beautiful Medora. When Conrad and his pirates abduct Medora from a slave market to their secret grotto, the adventure is just about to begin...

Choreographer José Carlos Martinez: “For me it was a ballet that I never danced myself and it was interesting to try to do something that would be respectful of the tradition, not a new version of a classical ballet. I wanted to give “The Corsair” something unique from me, and at the same time preserve the lush and beauty of all these famous moments, like the magic garden or the big pas de deux, the pas d’esclaves. So, I thought it was reasonable to make a purified version of the ballet, composed of a fairy tale quality similar to “Giselle” or “The Nutcracker” and simplify the dramaturgy of an otherwise complicated plot and bring to the foreground the main characters of Medora and Conrad. Therefore, what the audience will be able to see, is a story of love between the two main protagonists and the adventures of their well-known companions. I found the inspiration for the story in Lord Byron’s poem, as well as in the original score by Adolphe Adam, which I also changed where necessary. I put all these iconic parts in the centre of the ballet and round them I built my story”.