En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Talise Trevigne

Drawing on her long history with the work as both singer and conductor, Nathalie Stutzmann conducts the Atlanta Symphony in a deeply felt account of Mahler’s Resurrection Symphony.

Mit einer mustergültige Deutung von Gustav Mahlers Auferstehungs-Symphonie imponierten Mirga Gražinytė-Tyla, der Philharmonische Chor und die Philharmoniker in der Isarphilharmonie.

The Atlanta Opera presents a superior live production of Leoncavallo's Pagliacci to a masked, socially distanced audience.

Glimmerglass’ Porgy and Bess proves one more time that Gershwin’s opus remains America’s most important 20th-century opera.

The CBSO's former Assistant Conductor tackles a challenging programme of an early Bruckner symphony and Strauss' hardy perennial Four Last Songs.  

Leon Botstein and the American Symphony Orchestra revive Mascagni's Iris in a fully staged version in Frank Gehry's architecturally stunning Richard B Fisher Center at Bard College.

Opera Parallèle’s superb production of Heggie's Dead Man Walking reveals a prism of anger and forgiveness. 

Though reports of the work’s importance and dramatic power have attended it since its 2010 premiere in Dallas, I doubt many in the audience of the War Memorial Opera House on Wednesday night were prepared for the impact of Jake Heggie’s Moby-Dick.