En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Ivo van Hove

Retour à Garnier pour Don Giovanni. La production de Ivo van Hove manque de dynamisme, mais est merveilleusement servie par un casting d'admirables jeunes talents.

Best of all is the self-effacing pianism of Lada Valešová, a constant yet discreet onstage presence.

Pianist Lada Valešová was the anchor of the performance where Janáček's song cycle gets the van Hove treatment.

Boris Godounov pour la première fois à Bastille dans sa version originale de 1869. Casting excellent, mais la transposition dans l'époque moderne souffre de dissonances avec le livret et la musique de Moussorgski.

In Lyon, Daniele Rustioni drives through a pulsating reading of Macbeth, Ivo van Hove's imaginative setting not always fully backed by the vocal performances.

In an elegant new production by Ivo van Hove, Malin Byström portrays a graceful, erotic Salome and the RCO play with sensuous lyricism under Daniele Gatti.

Strong musical performances, but Ivo Van Hove’s Powerpoint presentation of Clemenza at the Teatr Wielki is out of focus.

Annie Proulx's love story between two men in rural Wyoming sees its opera première. Strong casting and an irregular score turn Spain into the capital of the opera.

At the end of the season, and before closing for the summer break, the Komische Oper Berlin reprise some of their most successful recent productions for one night only in the Komische Oper Festival, including the popular “cartoon” Magic Flute. Included in this busy week was a performance of Tchaikovsky’s Mazeppa, a rarely performed epic opera of battle-torn love and murder.