En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Gary Thor Wedow

An enchanting production, imaginative, amusing and suitable for children of all ages.

James Darrah stages Handel's sensual oratorio for Festival O, a feast of wonderful singing. 

Aidan Lang, head of Seattle Opera, reveals his talents as a stage director in a fresh and engaging interpretation of Mozart's comic masterpiece. 

Attention to clarity and detail without fussiness is a wonderful thing in the presentation of a Rossini comic opera, and Opera Saratoga in upstate New York scored a triumph with their new production of La Cenerentola by assembling a fine all-around team.

Handel's sensual tragicomedy comes to dazzling life in Seattle Opera's first-ever staging of Semele, a new production directed by Tomer Zvulun.

With so many performances of Handel’s Messiah popping up around the holidays, how’s one to choose?

A revival of Chris Alexander's comedy-slanted take on Don Giovanni tames Mozart's subversive opera in Seattle's season opener.

The New York City Opera has spent the season reinventing itself from a large company with a large theater to a peripatetic one presenting small works. Perhaps it was apt that they closed their season with Telemann’s Orpheus.

By all rights, Agrippina should be a tragedy. It begins with news of Claudius' death and ends with a roll call of doom, with political intrigue, power struggles, infidelity and dysfunction filling in the blanks. The Roman Empire is rife with opera fodder, and operas are rife with tales of Greek gods and Roman heroes (and anti-heroes).