En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Erika Grimaldi

Gianandrea Noseda, ein leidenschaftlicher Verdi-Kenner, bringt die unterschiedlichen musikalischen Sphären des Stücks brillant zum Klingen. Die Regisseurin Adele Thomas findet für den schicksalhaften Gang der Handlung ein schlüssiges Symbol. 

An excitingly theatrical Verdi Requiem under Giordano Bellincampi, benefitting greatly from a mostly stunning line-up of solo singers.

Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.

The second part of the traditional Cav & Pag double bill on stage at Turin's Teatro Regio

Gianandrea Noseda leads a fiery account of Verdi's “opera in ecclesiastical garb” to open the LSO's new season.

Requiem bien peu vibrant aux Chorégies d'Orange. La Messe des morts de Verdi paralysée entre une image omniprésente et une qualité musicale insuffisante. 

Patchy vocal offering saved by superb orchestra in Verdi's Simon Boccanegra.

Gianandrea Noseda conducts the EUYO at the Ravello Festival, in an unusual pairing of Verdi and Mahler. 

The gaily poor artists are called to adulthood and responsibility.

in Turin, British director Walter Sutcliffe sets Otello right in the middle of a never-ending battle and Gianandrea Noseda leads a passionate, rigorous account of the score. 

Teatro Regio in Turin paid its first seasonal tribute to Giuseppe Verdi with an engaging execution of the Messa da Reqiuem.