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Simon Holden

Simon Holden

Simon is an operaphile based in Auckland, New Zealand. He wrote his dissertation on Japanese popular music. With a background in piano and classical music retail, he spends his time attending as much opera or vocal concert as he can and blogs at irishenceaway.blogspot.com.

Autor:Simon Holden

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Mostrando 50 de 125 artículos

Sir Donald Runnicles © Robert Kusel

Sir Donald Runnicles brings Strauss and Brahms to life in Auckland

Por Simon Holden, 3 de octubre de 2026

Plenty of richness is evident in Runnicles’ Strauss and Brahms in Auckland Town Hall, with Madeleine Pierard a radiant soloist in the Four Last Songs.

****1

Sir Donald Runnicles © Robert Kusel

Runnicles brings Strauss and Brahms to life in Auckland

Por Simon Holden

Filipe Manu (Nadir) and Madison Nonoa (Leïla) © Andi Crown

The White Pearl: New Zealand Opera reframes Bizet’s Les Pêcheurs de Perles

Por Simon Holden, 23 de septiembre de 2026

In Auckland, heard in something close to the form Bizet actually conceived, The Pearl Fishers proves it has plenty of lustre of its own.

****1

Filipe Manu (Nadir) and Madison Nonoa (Leïla) © Andi Crown

The White Pearl: NZ Opera reframes Bizet’s Les Pêcheurs de Perles

Por Simon Holden

Lester Lynch (Bluebeard) © Thomas Hamill

Opening the doors of memory: a haunting Bluebeard’s Castle at New Zealand Opera

Por Simon Holden, 13 de marzo de 2026

In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.

****1

Lester Lynch (Bluebeard) © Thomas Hamill

Opening the doors of memory: a haunting Bluebeard’s Castle in Auckland

Por Simon Holden

Joyce DiDonato and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO

Joyce DiDonato’s Berlioz takes flight in Auckland as NZSO is grounded in Wellington

Por Simon Holden, 29 de noviembre de 2025

The unexpected grounding of Airbus A320s across the globe has musical consequences in Auckland, but Joyce DiDonato’s Berlioz saves the day.

****1

Joyce DiDonato and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO

Joyce DiDonato’s Berlioz takes flight in Auckland

Por Simon Holden

Emma Pearson with NZTrio © NZTrio

NZTrio and Emma Pearson: Strauss reimagined in gold and light

Por Simon Holden, 8 de octubre de 2025

The NZTrio, joined by soprano Emma Pearson for a programme largely focused on female composers, ending with Salina Fisher's arrangement of Strauss’ Four Last Songs.

****1

Emma Pearson with NZTrio © NZTrio

NZTrio and Emma Pearson: Strauss reimagined in gold and light

Por Simon Holden

Valentina Peleggi, Filipe Manu and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO

A tale of two Stabat Maters in Auckland

Por Simon Holden, 3 de octubre de 2025

Heard side by side, these two Stabat Maters, neither of which is a typical example of its kind, make for an evening of striking contrasts under conductor Valentina Peleggi.

***11

Valentina Peleggi, Filipe Manu and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO

A tale of two Stabat Maters in Auckland

Por Simon Holden

Ipu Laga'aia (Theseus) © Emma Brittenden

Into the labyrinth: opera and community in The Monster in the Maze

Por Simon Holden, 19 de septiembre de 2025

Director Anapela Polata’ivao handles her mixed forces of amateurs and professionals with seamless assurance, the crowds’ movements across the stage showing both clarity and intent.

****1

Ipu Laga'aia (Theseus) © Emma Brittenden

Into the labyrinth: opera and community in The Monster in the Maze

Por Simon Holden

Gemma New conducts the New Zealand Symphony Orchestra © NZSO

Gemma New conducts the NZSO in a superb Mahler 6 in Auckland

Por Simon Holden, 6 de septiembre de 2025

A key feature of New’s Mahler is the ability to keep everything cohesive across the long span of the works as witnessed in this account of the Sixth Symphony.

*****

Gemma New conducts the New Zealand Symphony Orchestra © NZSO

Gemma New conducts a superb Mahler 6 in Auckland

Por Simon Holden

Hadleigh Adams (Colline), Ji-Min Park (Rodolfo) and Elena Perroni (Mimì) © Andi Crown

Bruno Ravella's stunning direction elevates New Zealand Opera's La bohème

Por Simon Holden, 29 de mayo de 2025

New Zealand Opera's new production impresses with its stunning set design and art direction, and its restrained emotional tone.

***11

Hadleigh Adams (Colline), Ji-Min Park (Rodolfo) and Elena Perroni (Mimì) © Andi Crown

Stunning direction elevates New Zealand Opera's La bohème

Por Simon Holden

Masaako Suzuki conducts the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO

Masaaki Suzuki and the NZSO take on classical music’s legends

Por Simon Holden, 10 de mayo de 2025

In invigorating performances of Bach, Mozart and Beethoven in Auckland, Suzuki's interpretative approach evokes the sensibilities of historically informed performance.

*****

Masaako Suzuki conducts the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO

Masaaki Suzuki and the NZSO take on classical music’s legends

Por Simon Holden

Daniil Trifonov and the New Zealand Symphony Orchestra © Jacob Pietras | NZSO

Astonishing Rachmaninov from Daniil Trifonov

Por Simon Holden, 12 de abril de 2025

Daniil Trifonov takes New Zealand by storm with a performance of Rachmaninov's Third Piano Concerto of technical command and musical artistry.

*****

Daniil Trifonov and the New Zealand Symphony Orchestra © Jacob Pietras | NZSO

Astonishing Rachmaninov from Daniil Trifonov

Por Simon Holden

Piers Lane © Benjamin Ealovega

In Auckland, Piers Lane finds diversity of mood in Chopin's Nocturnes

Por Simon Holden, 9 de marzo de 2025

It was clear that there is much more to Lane’s conception of these works than mere surface beauty.

****1

Piers Lane © Benjamin Ealovega

Piers Lane finds diversity of mood in Chopin's Nocturnes

Por Simon Holden

Eliza Boom with the NZSO conducted by José Luis Gómez © NZSO | Craig Child

The orchestra shine in NZSO's Puccini Arias programme

Por Simon Holden, 26 de octubre de 2024

The NZSO are on sparkling form in Puccini arias and other operatic orchestral passages; Eliza Boom shows her potential as a Puccini singer of the future.

***11

Eliza Boom with the NZSO conducted by José Luis Gómez © NZSO | Craig Child

The orchestra shine in NZSO's Puccini Arias programme

Por Simon Holden

Emma Pearson (Adele) © Andi Crown

Fine singing but messy production of Le Comte Ory from New Zealand Opera in Auckland

Por Simon Holden, 30 de mayo de 2024

Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand.

***11

Emma Pearson (Adele) © Andi Crown

Fine singing but messy staging: Le Comte Ory at New Zealand Opera

Por Simon Holden

David Fray © James Bort

Disappointing Bach in Auckland

Por Simon Holden, 2 de mayo de 2024

David Fray's mannered Bach is a let-down, but Karl-Heinz Steffens brings out the spacious majesty in Bruckner's Ninth Symphony.

**111

David Fray © James Bort

Disappointing Bach in Auckland

Por Simon Holden

Ashlyn Tymms (Fanny Price) © Lewis Ferris

Blissful Mansfield Park in Auckland

Por Simon Holden, 21 de abril de 2024

Dove’s masterful adaptation, combined with an ebullient and characterful rendition by New Zealand Opera, make for a very effective and at times, very moving, afternoon at the opera.

*****

Ashlyn Tymms (Fanny Price) © Lewis Ferris

Blissful Mansfield Park in Auckland

Por Simon Holden

Julie Park © Adrian Malloch

Brandenburg Echoes in Auckland

Por Simon Holden, 18 de abril de 2024

With all soloists demonstrating charming ornamentation, a wonderful sense of fun and ease pervades the APO's performance.

****1

Julie Park © Adrian Malloch

Brandenburg Echoes in Auckland

Por Simon Holden

Madeleine Pierard with Gemma New and the New Zealand Symphony Orchestra © NZSO

Gemma New and the NZSO travel through twentieth century music

Por Simon Holden, 27 de octubre de 2023

Centred around Scriabin’s mystical Poem of Ecstasy, a thrilling journey through the byways of twentieth century music takes in New Zealand, Finland and France.

****1

Madeleine Pierard with Gemma New and the New Zealand Symphony Orchestra © NZSO

Gemma New and the NZSO travel through twentieth century music

Por Simon Holden

Deborah Wai Kapohe (Euridice) and Samson Setu (Orfeo) © Andi Crown

Gluck reimagined: (m)Orpheus in Auckland

Por Simon Holden, 6 de septiembre de 2023

Gareth Farr re-orchestrates Gluck in Neil Ieremia's imaginative reinterpretation of the Orpheus myth for New Zealand Opera.

****1

Deborah Wai Kapohe (Euridice) and Samson Setu (Orfeo) © Andi Crown

Gluck reimagined: (m)Orpheus in Auckland

Por Simon Holden

Jonathan Abernethy, Hanna Hipp, Emma Pearson and Julien Van Mellaerts © Jinki Cambronero

A masterful Così fan tutte in Auckland

Por Simon Holden, 31 de mayo de 2023

Lindy Hume directs a refreshingly uncomplicated new staging for New Zealand Opera, supported by fine musical performances.

****1

Jonathan Abernethy, Hanna Hipp, Emma Pearson and Julien Van Mellaerts © Jinki Cambronero

A masterful Così fan tutte in Auckland

Por Simon Holden

Holy Trinity Cathedral © Auckland Philharmonia Orchestra

Bach and Stravinsky lack clarity in Auckland's Holy Trinity Cathedral

Por Simon Holden, 28 de abril de 2023

Cavernous acoustics hamper individual lines in the latest concert in the Auckland Philharmonia Orchestra's “Baroque and Beyond” series.

**111

Holy Trinity Cathedral © Auckland Philharmonia Orchestra

Bach and Stravinsky lack clarity in Auckland's Holy Trinity Cathedral

Por Simon Holden

Gemma New conducts the New Zealand Symphony Orchestra © Latitude Creative

A sublime Mahler 3 from Gemma New and the NZSO in Auckland

Por Simon Holden, 1 de abril de 2023

The strings brought gleaming tone to their long phrases, the cellos particularly gorgeous in tone and deeply felt in phrasing, and New built each restatement to glorious and emotional crushing climax.

****1

Gemma New conducts the New Zealand Symphony Orchestra © Latitude Creative

A sublime Mahler 3 from Gemma New and the NZSO in Auckland

Por Simon Holden

The Gesualdo Six and Auckland Gospel Choir © Andi Crown

The Wishing Tree: the Gesualdo Six at the Auckland Arts Festival

Por Simon Holden, 15 de marzo de 2023

From the oppressed Catholic minority of 16th-century England to contemporary settings, The Gesualdo Six bring their Wishing Tree programme to Auckland.

****1

The Gesualdo Six and Auckland Gospel Choir © Andi Crown

The Wishing Tree: the Gesualdo Six at the Auckland Arts Festival

Por Simon Holden

Giordano Bellincampi conducts the Auckland Philharmonia Orchestra © Adrian Malloch

A triumphant final chapter in the Auckland PO's Beethoven cycle

Por Simon Holden, 2 de marzo de 2023

Much delayed by the pandemic, Giordano Bellincampi's Beethoven symphony cycle with the Auckland PO finally reaches its conclusion with a triumphant closing concert.

*****

Giordano Bellincampi conducts the Auckland Philharmonia Orchestra © Adrian Malloch

A triumphant final chapter in the Auckland PO's Beethoven cycle

Por Simon Holden

Geneva Lewis © Adrian Malloch

The Auckland Philharmonia takes audience to the New World

Por Simon Holden, 23 de febrero de 2023

New Zealand-born violinist Geneva Lewis soars in Samuel Barber's Violin Concerto, framed in Giordano Bellincampi's programme by Korngold and Dvořák.

****1

Geneva Lewis © Adrian Malloch

The Auckland Philharmonia takes audience to the New World

Por Simon Holden

Unearthing New Zealand's lost art-song tradition

Por Simon Holden, 14 de agosto de 2022

In this part-concert and part-lecture, Michael Vinten chronicles the history or New Zealand art song through the lives of the composers and poets featured, stories alternately hilarious and tragic.

****1

Unearthing New Zealand's lost art-song tradition

Por Simon Holden

The highest beauty imaginable: astonishing Prokofiev from Hilary Hahn and the NZSO

Por Simon Holden, 5 de agosto de 2022

Hahn balanced tranquility and ferocity in Prokofiev's First Violin Concerto, and conductor Gemma New drew out an especially nuanced reading of Shostakovich's Fifth Symphony.

*****

The highest beauty imaginable: astonishing Prokofiev from Hilary Hahn

Por Simon Holden

Requiem opens the Auckland Philharmonia Orchestra's miniature Verdi Festival

Por Simon Holden, 7 de julio de 2022

An excitingly theatrical Verdi Requiem under Giordano Bellincampi, benefitting greatly from a mostly stunning line-up of solo singers.

***11

Requiem opens the APO's miniature Verdi Festival

Por Simon Holden

Christian Li displays stunning virtuosity in Saint-Saëns and Ravel in Auckland

Por Simon Holden, 21 de abril de 2022

An astonishing showcase, with Christian Li tackling both works with technical skill and swagger that belied his tender age.

****1

Christian Li displays stunning virtuosity in Saint-Saëns and Ravel

Por Simon Holden

A taste of Vienna with the Auckland Philharmonia

Por Simon Holden, 8 de julio de 2021

The slow movement is gorgeous in an unashamedly romantic fashion and Morrison, some moments of uncertain intonation aside, gave a poetic rendition, at times fining his sound down to the most exquisite filigree of sound.

****1

A taste of Vienna with the Auckland Philharmonia

Por Simon Holden

A meeting of cultures in NZSO's Matariki concert

Por Simon Holden, 2 de julio de 2021

A combination of Western orchestral tradition and traditional Māori culture proves a fascinating and a worthwhile contribution to New Zealand’s orchestral repertoire.

****1

A meeting of cultures in NZSO's Matariki concert

Por Simon Holden

A refreshing new Nozze di Figaro from New Zealand Opera

Por Simon Holden, 8 de junio de 2021

Lindy Hume directs a new production of Mozart's masterpiece which proves a constant delight.

****1

A refreshing new Nozze di Figaro from New Zealand Opera

Por Simon Holden

Simon O'Neill and the Auckland Philharmonia Orchestra standouts in Fidelio

Por Simon Holden, 8 de mayo de 2021

Giordano Bellincampi presides over a fleet and crisp performance of Beethoven's only opera, performed in Auckland Town Hall.

***11

Simon O'Neill and the APO standouts in Auckland Fidelio

Por Simon Holden

Inside out: Eight Songs for a Mad King in Auckland

Por Simon Holden, 11 de marzo de 2020

The vocal part requires a range covering over five octaves, from the lowest bass notes to a high falsetto and Robert Tucker coped amazingly with the score’s lyrical elements and the various shrieking, whispering and clucking noises he was called upon to create.

****1

Inside out: Eight Songs for a Mad King in Auckland

Por Simon Holden

Juilliard 415 excels in French and Italian Baroque in Auckland

Por Simon Holden, 28 de febrero de 2020

In each brief and catchy excerpt, the ensemble played with infectious vitality and admirable precision.

****1

Juilliard 415 excels in French and Italian Baroque in Auckland

Por Simon Holden

Edo de Waart signs off with awe-inspiring Mahler in Auckland

Por Simon Holden, 23 de noviembre de 2019

De Waart once again showed a formidable grasp of the musical structure so that the occasional outbursts of violence made thematic sense and a strong feeling of tension led up to the final cry of despair.

*****

Edo de Waart signs off with awe-inspiring Mahler in Auckland

Por Simon Holden

NZSO's enthralling Salonen and Schubert

Por Simon Holden, 9 de noviembre de 2019

Edo de Waart and the NZSO thrill with the old warhorse that is Schubert's ninth as much as in an insightful and exciting rendition of Salonen's Violin Concerto.

****1

NZSO's enthralling Salonen and Schubert

Por Simon Holden

Ambiguity rules in New Zealand Opera's Turn of the Screw

Por Simon Holden, 18 de octubre de 2019

Astonishingly vivid performances from an ensemble cast made it one of the most outstanding of their recent productions, an auspicious sign as de Mallet Burgess takes over the General Directorship of the company.

****1

Ambiguity rules in New Zealand Opera's Turn of the Screw

Por Simon Holden

Grotesquery and cowhorns: HK Gruber and Håkan Hardenberger bring “pan-demonium” to Auckland

Por Simon Holden, 11 de octubre de 2019

It was an altogether riotous and highly enjoyable performance of a wacky work, one long overdue to be heard in this country.

****1

Grotesquery and cowhorns in Auckland

Por Simon Holden

Intense Schubert and Ravel from the Mullova trio

Por Simon Holden, 16 de septiembre de 2019

A case of musical minds being in particularly close interpretative sync, revealing the music not through showy display but through restrained but intense concentration.

****1

Intense Schubert and Ravel from the Mullova trio

Por Simon Holden

Viktoria Mullova's intense Sibelius in Auckland

Por Simon Holden, 12 de septiembre de 2019

In the exquisite singing line of the second movement, the appeal was not just in her beauty of tone but in the concentrated feeling Mullova brought to the shaping of each phrase.

****1

Viktoria Mullova's intense Sibelius in Auckland

Por Simon Holden

Exploring the fugue with the Brodsky Quartet in Auckland

Por Simon Holden, 13 de mayo de 2019

This was a true tour de force and a fitting climax to a rather miraculous examination of counterpoint through musical history.

****1

Exploring the fugue with the Brodsky Quartet in Auckland

Por Simon Holden

Susan Graham's gripping New Zealand debut

Por Simon Holden, 29 de marzo de 2019

This was astonishing and gripping vocalism from a true master of Berlioz style.

*****

Susan Graham's gripping New Zealand debut

Por Simon Holden

Kosky's mesmerising Magic Flute in Auckland

Por Simon Holden, 8 de marzo de 2019

The Queen of the Night appeared as a malevolent giant spider, complete with exoskeleton, threatening Tamino with her stabbing limbs and summoning hordes of smaller spiders to writhe over Pamina when the latter hesitated to commit to Sarastro's murder.

****1

Kosky's mesmerising Magic Flute in Auckland

Por Simon Holden

Sweeping Bruckner but lacklustre Beethoven from the Auckland Philharmonia

Por Simon Holden, 28 de febrero de 2019

Bellincampi’s way with this symphony was impressive: he knitted the composer’s sometimes diffuse structural cells into something cohesive, with no loss of tension in the various silences and odd transitional moments.

***11

Sweeping Bruckner but lacklustre Beethoven from the APO

Por Simon Holden

Intense Mahler and Schubert from Thomas E. Bauer in Auckland

Por Simon Holden, 15 de noviembre de 2018

The vocal items in this programme were the most successful, driven as they were by Bauer's searing interpretations.

****1

Intense Mahler and Schubert from Thomas E. Bauer in Auckland

Por Simon Holden

Stephen Layton leads a nuanced St Matthew Passion in Auckland

Por Simon Holden, 4 de octubre de 2018

Stephen Layton returns to Auckland to continue his series of Bach's choral masterpieces with the APO.

****1

A nuanced St Matthew Passion in Auckland

Por Simon Holden

Talented young cast shines in New Zealand Opera's La bohème

Por Simon Holden, 19 de septiembre de 2018

It was hard not to be drawn in by the romance and tragedy as presented by such a sincere, credible and vocally talented young cast and a conductor with such strong identification with the idiom.

****1

Talented young cast shines in New Zealand Opera's La bohème

Por Simon Holden

Ebullience and piquant timbres: Ensemble Zefiro plays Mozart divertimenti in Auckland

Por Simon Holden, 18 de agosto de 2018

An evening made up of five Mozart divertimentos had its longueurs, but the Italian period instrument ensemble delighted the audience.

***11

Ebullience and piquant timbres: Ensemble Zefiro

Por Simon Holden

Stunning Weber from Andreas Ottensamer in Auckland

Por Simon Holden, 21 de junio de 2018

The Viennese clarinettist joined the Auckland Philharmonia Orchestra and Carlos Miguel Prieto in a programme of Copland, Weber and Shostakovich.

****1

Stunning Weber from Andreas Ottensamer in Auckland

Por Simon Holden