En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anne Mason

Emily Howard's new opera, an Aldeburgh Festival commission, takes an ambitiously modernist approach to a dystopian story of loneliness: a tough, but thought-provoking work. 

Problems of orchestral balance cloud Olivia Fuchs's straightforward, compelling staging of Janáček’s tirade against the rigidity and hypocrisy of small town society.

Sir David McVicar’s new production of Pelléas et Mélisande for Scottish Opera is stylish and lit like a painting. 

Faire naviguer les différents protagonistes de cette œuvre dans le huis clos sombre de la demeure de Bly, traiter les émotions de ces différents personnages sous le prisme de leur inconscient et rendre compte d’un réalisme froid tout au long de cet production de The Turn of the screw reprise à l'Opéra national du Rhin.

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

Scottish Opera's Il trovatore has a uniformly strong cast and shorus who sing finely, conducted by Tobias Ringwood producing spectacular sounds from the orchestra.  A wonderful end to the season. 

Slick, surreal and creepy, with a strong cast of exciting young singers: it's hard to imagine a Turn of the Screw better than Glyndebourne's Jonathan Kent version, revived for their 2014 Tour by Francesca Gilpin.