En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Kirsten Sollek

John Zorn’s compositions presented at The Cloisters contained a bonanza of musical ideas, rolling in unnervingly peculiar waves and presented in clumps and clusters like audio versions of found art. 

On Thursday evening, not a seat was vacant in Alice Tully Hall for The Holy Visions, the inaugural concert of Lincoln Center Festival’s three-day performance series honoring John Zorn’s impending birthday. The series is just a small installment in Zorn@60, an international celebration of one of New York’s most revered avant-garde composers and musicians, who will turn 60 on 2 September.

John Zorn doesn’t look 60. He looks 35, or whatever age it is where you’re still just about young enough to get away with wearing baggy camouflage pants. “And that’s how it’s done!” he yells through his mic at the end of the first half, over huge applause and cheering from this passionate Barbican audience.