Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Aletta Collins

Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.

Mark-Anthony Turnage's take on Neil Gaiman's classic young adult novella is well sung and well staged, without quite reaching peak intensity.

Britain's oldest dance company continues to entertain, challenge and inspire with yet another well-rounded triple bill 

La Cenerentola is the final component of Opera North's fairytale season, with every voice and every character getting a chance to revel in Rossini's intricate ornamentation.

Opera North's captivating production of Janáček’s Jenůfa directed by Tom Cairns at the Grand Theatre Leeds

Opera North's La Fanciulla del West, directed by Aletta Collins, contains a bold performance from Alwyn Mellor as Minnie, and a powerful Ramerrez in Rafael Rojas.

The evening begins with La Voix Humaine: “Elle” is staring at us fixedly for what seems like a minute, smoke from the cigarette in her fingers providing the only movement. She sits in an oblong frame surrounded by light bulbs, indicating a substantial mirror of the sort you might find backstage. The orchestra begins, and the music is edgy.

If you are looking for a show for all the family this Christmas, look no further. Magical Night is a heart-warming production of dance-theatre in which one night a host of toys come to life. Along with two children, the lovable Chimpy the monkey, Sir Green Knight, baby Tumble Tot, Fire Flame and Mighty Robot have a great adventure.

From the childhood moment when we are introduced to Cinderella we recognise the magical, transformative power of the shoe.