En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Dashon Burton

Michael Tilson Thomas leads the Philharmonic in the New York premiere of his song cycle Meditations on Rilke.

Franz Welser-Möst creatively fused Schubert's “Unfinished” Symphony with Berg's Lyric Suite, before leading an opulent performance of Mass no. 6 in E flat Major.

Profound questions as the Tanglewood season closes with the traditional appearance of Beethoven's Ninth Symphony. 

Amid an uncertain future for the Mostly Mozart Festival, conductor Louis Langrée led a fiery program that overflowed with rage rather than grief.

The outgoing music director of the San Francisco Symphony made a brilliant impression with his own Meditations on Rilke, with Sasha Cooke and Dashon Burton as soloists. Berlioz’ Symphonie fantastique was given a revelatory performance.

Franz Welser-Möst thoughtfully paired Schubert’s final mass with Bartók’s final piano concerto, the latter featuring Mitsuko Uchida in her 100th Cleveland Orchestra appearance.

An astonishing performance by Asmik Grigorian is central to the Italian director's disturbing reading of a disturbing opera. 

A line-up of well-matched vocal soloists and a chorus in top form, along with passionate conducting by Franz Welser-Möst made for a memorable closing concert of this important milestone season.

The Cleveland Orchestra’s centennial season was off to an auspicious start with an encore presentation of Janáček’s The Cunning Little Vixen.

Baroque specialist Patrick Dupré Quigley shows impressive mastery of a large, modern ensemble in a smart performance of a period masterpiece.

Cette Flûte Enchantée, qui joue avec intelligence sur les contrastes et la complexité des personnages, est servie par un plateau de jeunes et talentueux interprètes.

Près de trois ans après une mémorable représentation des Indes Galantes, le Théâtre renoue avec le maître du Traité de l'harmonie à travers la tragédie lyrique de Castor et Pollux, créée par l’Académie Royale en 1737.

Employing khoomei, a style of singing that remains “a mystery to Western science”, each of the four performers was capable of producing up to four notes at once.