En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Martin Wright

Ein aufwühlender Opernabend, an dem vor allem in der Musik das grandiose Drama stattfand.

A new production of Vivaldi's Byzantine opera Il Giustino charms Berlin, thanks to René Jacobs' exemplary conducting and a top-level cast led by Christophe Dumaux.

Stepping in for Sir Simon Rattle, Marc Minkowski's balanced, lyrical approach to Schumann's oratorio proves successful.

A superb musical foundation under Antonio Pappano forms the basis for a satisfying new Fanciulla del West at the Staatoper in Berlin. 

Part of a new Da-Ponte trilogy, Le nozze di Figaro premieres online at the Staatsoper Unter den Linden Berlin

Dressed in white, with an origami swan in his hand, Robert Alagna's Lohengrin is less a Grail knight than an absent-minded daydreamer.

Daniel Barenboim conducts an underwhelming cast in the Staatsoper's new Samson et Dalila, and Argentinian director Damián Szifron's operatic debut is stale and cliché-ridden. 

Barenboim conducts Otto Nicolai's Falstaff opera with a warmth and affection that is sorely lacking on stage. 

This year’s NTR ZaterdagMatinee concert series in Amsterdam kicked off with a Boris Godunov that left nothing to be desired.

Britten's War Requiem at the Staatsoper Unter den Linden with Antonio Pappano conducting

Anna Netrebko shines opposite Plácido Domingo in Harry Kupfer's uncertain new production.

Two rarely performed works are showcased by the Staatskapelle under Daniel Barenboim.

Michael Volle makes his debut as Verdi's not-so-Fat Knight in Mario Martone's new production at the Staatsoper. 

A passionless staging of Wagner's masterpiece throws cold water on Barenboim's fiery conducting at the Staatsoper.

James Levine brings masterful control to Mahler with the Staatskapelle in the Philharmonie.

Jürgen Flimm's take on Schumann's Faust Scenes offers no solutions to self-imposed problems at the Staatsoper unter den Linden's glitzy reopening.

There's no faulting the execution, but the former Python's take on Berlioz's dramatic legend is worryingly inconsistent in tone. 

A gripping performance of one of opera’s masterpieces in Berlin. 

Zubin Mehta's conducting is a disappointment, but Guth's remarkable production makes powerful sense of Strauss and Hofmannsthal's rich fairy tale. 

Magisterial playing and conducting underpin an outstanding, engrossing evening of Wagner at the Schiller Theater.

Under the baton of René Jacobs, the Akademie für Alte Musik Berlin dazzles in the Staatsoper's production of Purcell's "dramatick opera". 

With a light-voiced cast and gentle updating, the Staatsoper's new Manon Lescaut makes a good case for Puccini's difficult breakthrough opera.

Evelyn Herlitzius and Adrianne Pieczonka are unsinkable in the the French director's final production, conducted with impressive symphonic sweep by Daniel Barenboim. 

Not even the musical genius of Daniel Barenboim could turn Harry Kupfer’s irritating Sitzprobe production into a “Namenlose Freude”.

Staatsoper Berlin's Götterdämmerung featured memorable vocal performances from Iréne Theorin and Andreas Schager, with Daniel Barenboim and his orchestra providing the rest of the drama.

Simone Young machte diese Faust-Vorstellung zu einem musikalisch ergreifenden Erlebnis.

Staatsoper Berlin revives its new production of Tosca with an excellent cast including a last minute substitution of the tenor.

Staatsoper Berlin opens its season with a strong new production of Die Meistersinger von Nürnberg that pays homage to the past and at the same time points to the future.