Why, why, why Dalila? More disappointment at Unter den Linden

Brandon Jovanovich (Samson) and Elīna Garanča (Dalila)

Por Hugo Shirley, 26 noviembre 2019

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“underripe, tepid when it should sizzle, small-screen where it should have been in full cinemascope”

Crítica hecha desde Staatsoper Unter den Linden, Berlín el 24 noviembre 2019

Saint-Saëns, Samson et Dalila

Staatsoper Berlin

Daniel Barenboim, Dirección

Damián Szifron, Dirección de escena

Étienne Pluss, Diseño de escena

Gesine Völlm, Diseño de vestuario

Brandon Jovanovich, Samson

Elīna Garanča, Dalila

Michael Volle, High Priest of Dagon

Kwangchul Youn, Abimélech

Wolfgang Schöne, The Old Hebrew

Andrés Moreno García, First Philistine

Jaka Mihelač, Second Philistine

Olaf Freese, Diseño de iluminación

Jana Beckmann, Dramaturgia

Staatsopernchor Berlin

Martin Wright, Dirección de coro

Staatskapelle Berlin

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***11

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*****

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****1

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.