En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Fernanda Oliveira

Christopher Wheeldon's Cinderella in-the-round is an immersive experience in the grand ballroom scene but the romantic duets are robbed of an essential intimacy.

English National Ballet tours its outgoing artistic director's revision of Petipa's Raymonda, but it's Glazunov who proves the real winner. 

Tamara Rojo's English National Ballet takes Akram Khan's version of Giselle, created on the company, to the Brooklyn Academy of Music.

Petipa's classical choreography and Glazunov's ravishing score fuse with a reimagined narrative and bold choreographic additions to create a new Raymonda for the 21st century.

Have two Covid-enforced delays left too much time for Akram Khan and his team to tinker with their new creation for English National Ballet?

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

The ENB translates its digital films made during the pandemic into an evening of a live performance.

The choreographers selected ranged from the highly experienced (Yuri Possokhov, Sidi Larbi Cherkaoui and Russell Maliphant), and ENB’s Associate Choreographer (Stina Quagebeur) to a relative newcomer, 24-year-old Arielle Smith. 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise.