A bold triple bill, bookended by two masters

Por Erin Whitcroft, 27 marzo 2017

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“Francesca Velicu... became the beating heart at the centre of this choreographed primal scream”

Crítica hecha desde Sadler's Wells Theatre, Londres el 24 marzo 2017

In the Middle, Somewhat Elevated (William Forsythe)

Adagio Hammerklavier (Hans van Manen)

Le Sacre du printemps (La consagración de la primavera) (Pina Bausch)

English National Ballet

Gavin Sutherland, Dirección

English National Ballet Philharmonic

Olga Khoziainova, Piano

Francesca Velicu, Bailarín

Laurretta Summerscales, Bailarín

James Streeter, Bailarín

Tiffany Hedman, Bailarín

Precious Adams, Bailarín

Cesar Corrales, Bailarín

Crystal Costa, Bailarín

Isaac Hernández, Bailarín

Madison Keesler, Bailarín

Sarah Kundi, Bailarín

Fernanda Oliveira, Bailarín

James Forbat, Bailarín

Fabian Reimair, Bailarín

Tamara Rojo, Bailarín

Persistente: la triple función del ENB celebra las coreógrafas

Mark Pullinger, 4th April

She Persisted es la continuación de la propuesta del ENB She Said, una función triple con las creaciones de Annabelle López Ochoa, Stina Quagebeur y Pina Bausch.

*****

Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality

Graham Watts, 7th April

A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.

*****

Sweet Mambo: charismatic masters of Pina Bausch at Sadler’s Wells

Graham Watts, 12th February

Sweet Mambo was one of those rare evenings that felt very special, unique in the sense of watching history revisited in the present day.

****1

Rites in Antwerp: a towering triple bill for Opera Ballet Vlaanderen

Elsa Giovanna Simonetti, 17th January

In Rites, Opera Ballet Vlaanderen confirm its status as a leading contemporary dance company with a formidable triple bill, technically demanding for both dancers and orchestra.

****1

L'intimité de Joséphine Baker et la puissance du Sacre au TCE

Iris Régnier, 24th September

En associant Joséphine Baker dans un solo de Germaine Acogny et Pina Bausch avec son mythique Sacre du printemps, le TCE rend hommage à son histoire et à deux grandes artistes.

***11

Pina Bausch sans filtre : Vollmond au Théâtre de la Ville

Julie Jozwiak, 13th May

Les émotions priment et l’excès est roi dans ce Songe d'une nuit d'été façon Pina, magnifiquement incarné par les interprètes de sa compagnie.

****1

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Erin Whitcroft

Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.

A bold triple bill from English National Ballet, bookended by two masters