En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Agunda Kulaeva

Tcherniakov's moving production delves into the psychological rather than revelling in the spectacular. 

Rimsky-Korsakov's opera remain rarities outside Russia, but the Bolshoi Opera made The Tsar’s Bride the anchor of this year's Hong Kong Arts Festival programme. 

Hearing Russian opera performed by the forces of the Bolshoi makes for a special experience for New York audiences. 

There’s a touch of Borodin bus syndrome around at the moment; you wait years for a production of Prince Igor, then two come along in succession. The first was from the Metropolitan Opera, directed by Dmitri Tcherniakov, swiftly followed by the Novaya Opera which brings its production from Moscow to London as part of the UK—Russia Year of Culture.

The Latin Requiem traverses a series of emotional responses to death, ranging from astonishment and dread to humility and gratitude. Verdi’s Messa da requiem contains all of these ingredients but in different proportions to many other well-known settings. Written by an agnostic, it is more earthly than spiritual in outlook, and fear and trembling predominate.