En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Frank van Aken

Avec son orchestre sur scène, son plateau ensanglanté et son excellente distribution, l'Elektra haute en couleurs de Michel Fau vient clôturer la saison amputée du Théâtre du Capitole.

Ernüchternd und wenig spannend präsentiert das franzöische Künstlerkollektiv Le Lab ihre Neuproduktion von Salome am Staatstheater Wiesbaden.

This year’s NTR ZaterdagMatinee concert series in Amsterdam kicked off with a Boris Godunov that left nothing to be desired.

The 1957 production of Parsifal, with its traditional staging and dreamy imageries, was a perfect backdrop to showcase Wagner's celebration of stage play with music on Good Friday.

Clarity and mounting horror in the orchestra pit, the full truth and ugliness of the human condition onstage. Dutch National Opera’s new production of Wozzeck is stomach-churning for all the right reasons.

Day two of Frankfurt Ring featured impressive stage work and some superior musical performances, but it was not enough to create a perfect evening of opera.

In a reconstruction of Jean-Pierre Ponnelle’s production for the world première of Reimann’s soul-pummelling Lear, the staging stands the test of time, but the cast and orchestra leave the biggest impression.

Eva-Maria Westbroek as Sieglinde was the high point at an opera gala in support of young singers at the Concertgebouw.

An all-Dutch Verdi Requiem with soprano Eva-Maria Westbroek makes a heartfelt case for music as an antidote to war.

Peter Konwitschny’s Tannhäuser at Dresden’s Semperoper dates back to 1997, making it relatively old for an opera production, and though I sense this may be its last revival, it is still modern and engaging.