Miriam Miller is the latest ballerina to stand out from the crowded field at City Ballet and she may well be the best at such a young age since Sara Mearns.
Noé Soulier filled the first half of the evening with two pieces – Le Royaume des Ombres (“The Kingdom of Shades”) and D’un pays lointain (“From Another Land”) – both of which were experimental works, playing with and distorting the conventional construction of the ballet language.
