En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alasdair Beatson

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt. 

The Nash Ensemble performs Dvořák's Piano Quartet no. 2 at Wigmore Hall, followed by a joyful rendition of Schubert's Trout Quintet.

An affectionate Trout played by long-standing colleagues and friends from Royal Northern Sinfonia, along with Imogen Holst's Phantasy Quartet and Thomas Adès's fascinating Piano Quintet. 

Awkard programming but fine musicianship from the Nash Ensemble and Christine Rice as part of its 'German Romantics' series.

Royal Northern Sinfonia welcomed their new chamber pianist in residence, Alisdair Beatson, with some brilliantly imaginative programming.

Alasdair Beatson presented a dazzling programme of 20th-century piano music, with Harrison Birtwistle at its centre. 

Along with Debussy and Ravel, this lunchtime programme also celebrated Lili Boulanger and young Slovenian composer Nina Šenk.

Nestled in the alps, Musikdorf Ernen’s chamber music festival concerts recently began its annual Kammermusik Plus weeks with works that showcased some extraordinary young talents.

Works by Locatelli, Hans Abrahamsen and Tom Coult accompanied Dmitry Sitkovetsky's arrangement of Bach's Goldberg Variations. 

Juliette Bausor and Alasdair Beatson give an exciting and versatile programme of music for piano and flute as part of the European Concert Hall Organisation's ECHO Rising Stars programme.

Philip Higham and Alasdair Beatson performed Beethoven, Schumann, Fauré and Janáček at Haddington's Town House.

An introductory reading by local writer Philip Pullman was an appropriate introduction to the “Dusk to Dawn” concert, one of the last in this year’s Oxford Chamber Music Festival (themed “Fairytales and Fantasy”). The collision of a light-hearted surface with darker undertones was not just in Pullman’s retelling of the Grimm stories, but pervaded Artistic Director Priya Mitchell’s programming.

Bell’s Whisky used to be almost synonymous with Perth, and anyone who lives in Perth and Kinross will have been touched by the generosity of A.K. Bell’s Gannochy Trust, started 75 years ago. Early projects included sewerage systems to improve the quality of the river Tay, and setting up the Gannochy Housing Estate.

In a way, this was a virtuoso programme, but Alasdair Beatson is not a pianist inclined to indulge in vapid displays of skill and empty gesturing. Rather, this was a set of slightly unobvious works where the music was very much the point, not the performer.We opened with Mozart's Piano sonata in F K332.

The Scottish Ensemble launched their 2011/12 season with a programme of Mendelssohn and Stravinsky. On the face of it the pairing looked rather unlikely, but as Artistic Director Jonathan Morton explained to us, both composers were full of energy and invention, and each searching out new musical direction in their own times.

Oboist. Composer. Conductor. Heinz Holliger is all of these things and more, and this week Britain has a chance to find out what makes this man such an enormous figure in contemporary music. Holliger and friends are at King’s Place all week, with Holliger featuring in all of his many roles.