En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Annika Schlicht

Die überladene Inszenierung kann den Sängern, angeführt von Lise Davidsen, nicht das Wasser reichen.

Deutsche Oper Berlin returns in rousing style with a pared-down, open-air Rheingold on its “Parkdeck”.

La baguette énergique et nerveuse de Stéphane Denève offre une Symphonie n° 9 de Beethoven percutante et bouillonnante, accompagné du Vlaams Radiokoor en état de grâce.

Deutsche Oper Berlin’s new production of A Midsummer Night’s Dream is a delightful and whimsical homage to Britten’s masterpiece. The orchestra, soloists and children’s chorus performed with energy and charm under the baton of Donald Runnicles.

The Staatsoper revives a confused production by Hans Neuenfels, under the baton of Thomas Guggeis.

Das Niveau der Solisten steht der enttäuschenden Inszenierung in unüberbrückbarer Distanz gegenüber.

Staging the story of the Italian political figure Rienzi as that of a dictator in 20th-century Germany was an inspired idea. This revival was a rare occasion to experience Wagner's early opera. 

Deutsche Oper Berlin staged an ambitious production by Laurence Pelly with mixed results. The performance included new discoveries and young singers brought fresh energy to the evening.

The passion of Alban Berg's music under Donald Runnicles fights against a disjointed production by Ole Anders Tandberg.

The Deutsche Oper's production of Rossini's sparkling occasion piece is big on gags but short on stardust.

In a dated production by Hans Neuenfels, conductor Giacomo Sagripanti leads a musically successful Trovatore, where Angela Meade and Anita Rachvelishvili show their vocal brilliance.

Hans Neuenfels new Salome proves a strangely non-committal affair at the Staatsoper, but Thomas Guggeis conducts impressively.

Aktuelle und ehemalige Stipendiaten zeigen den Erfolg des Internationalen Opernstudios Berlin auf.

Deutsche Oper Berlin's Salome was a mixed blessing: a magnificent Catherine Naglestad as the heroine, with good ensemble of singers and orchestra, but a thoughtful but far-fetched psychological interpretation.

In L’Invisible, which had its première last weekend at the Deutsche Oper Berlin, Aribert Reimann has condensed three plays by Maeterlinck into bite-size chunks that vanish before they can be savoured.

This Peter Grimes was a tale of two talents: the conductor and the star.

A gripping performance of one of opera’s masterpieces in Berlin. 

Cette reprise de La Flûte dans la mise en scène de Robert Carsen nous dévoile un casting vocal à la hauteur des exigences de la partition, et nous démontre une fois de plus la capacité du metteur en scène à traduire avec poésie et grâce les sentiments les plus perfides qui bien souvent s'expriment dans les rapports les plus intenses entre les êtres.

Deutsche Oper Berlin’s 1980 production of Donizetti’s romantic tragedy gets a new life with a pair of young singers who valiantly and elegantly sang the doomed lovers.

Als Experiment gestaltete das Internationale Opernstudio eine lange fällige Inszenierung dieser Oper - mit vielversprechendem Ergebnis.