En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Andrew O'Connor

A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney. 

Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.

Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield. 

Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.

A wonderful night of late 17th-century music by the somewhat obscure German composer Dietrich Buxtehude is brought to radiant life by Erin Helyard and the Pinchgut Opera company.

A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.    

Ravishing music and performances, a crazy G&S plot, but physicality that tends to distract in Constantine Costi's production.

Love comes in 57 varieties in Cavalli's Apollo and Dafne, and they're both enjoyed and suffered by a dynamic cast of six playing 20 characters.

Soprano Alexandra Oomens confirmed her star potential, but all soloists and players shone in this jubilant concert featuring Telemann's Thunder Ode and Bach's Easter Oratorio