En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Julia Burbach

La direction musicale de Valentina Peleggi, la mise en scène de Julia Burbach et la prise de rôle de Jeanine De Bique ont laissé une impression mitigée pour l'ouverture de la saison bruxelloise.

Revived at Lyric Opera of Chicago, the notorious opera director’s take stirs sympathy for Salome, but leans on some of his theatrical hobby-horses

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella. 

Amid the rough winds of late May, Julia Burbach directs Opera Holland Park's first venture into Wagner – The Flying Dutchman. 

Donizetti's frothy romantic comedy takes on fresh appeal in this faithful rendering at the State Opera.

Using Jonathan Dove and Graham Vick's distillations of Siegfried and Götterdämmerung, the company concluded its miniature Ring cycle in under five hours, without sacrificing musical or dramatic tension.

Julia Burbach's new production lacks poetry in spite of an admirable cast led by Samuel Dale Johnson in the title role. 

A journey through the subconscious of the main protagonist Edmea, with Anne-Sophie Duprels as the eponymous heroine.

Wagnerites can get their fix in London this week, where Die Walküre opens the Grimeborn Festival in Julia Burbach's new production of the adaptation by Graham Vick and Jonathan Dove. 

Bumble? Tinder? Who needs a dating app when you have Rabbi David setting up every singleton in sight. Opera Holland Park's new production of L'amico Fritz is a feel good rom-com that will warm the heart.

Jonathan Dove's lean reduction of Wagner’s score for just 18 players is performed at the Grimeborn Festival in Julia Burbach's staging. 

Barrie Kosky's divisive production returns to The Royal Opera but has lost its zing. 

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

A Madama Butterfly from beyond the grave? What would Julia Burbach's concept add to the familiar thread of Puccini's opera?