Duplicity and deceit as Così returns to The Royal Opera

Por Stephen Pritchard, 26 febrero 2019

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“Which is all very well until you hit the hard reality of Da Ponte’s libretto...”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 25 febrero 2019

Mozart, Così fan tutte

The Royal Opera

Stefano Montanari, Dirección

Jan Philipp Gloger, Dirección de escena

Ben Baur, Diseño de escena

Karin Jud, Diseño de vestuario

Salome Jicia, Fiordiligi

Serena Malfi, Dorabella

Paolo Fanale, Ferrando

Gyula Orendt, Guglielmo

Sir Thomas Allen, Don Alfonso

Serena Gamberoni, Despina

Julia Burbach, Director de reposición

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.

There's no disguising it: duplicity and deceit as Così fan tutte returns to The Royal Opera